Sunday, November 6, 2011

Beloved

  • Oprah Winfrey and Danny Glover play the unforgettable lead roles in a powerful, widely acclaimed cinematic triumph from Jonathan Demme.On a difficult journey to find freedom, Sethe is constantly confronted by the secrets that have haunted her for years. Then, an old friend from out of her past unexpectedly reenters her life. With his help, Sethe may finally be able to rediscover who she is and reg
(Book Jacket Status: Jacketed)

Winner of the Pulitzer Prize, Toni Morrison’s Beloved is a spellbinding and dazzlingly innovative portrait of a woman haunted by the past.

Sethe was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has borne the unthinkable and not gone mad, yet she is still held captive by memories of Sweet Home, the beautiful farm where so many hideous things happened. Meanwhile Sethe’s house has long been troubled by the ! angry, destructive ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved.

Sethe works at beating back the past, but it makes itself heard and felt incessantly in her memory and in the lives of those around her. When a mysterious teenage girl arrives, calling herself Beloved, Sethe’s terrible secret explodes into the present.

Combining the visionary power of legend with the unassailable truth of history, Morrison’s unforgettable novel is one of the great and enduring works of American literature.In the troubled years following the Civil War, the spirit of a murdered child haunts the Ohio home of a former slave. This angry, destructive ghost breaks mirrors, leaves its fingerprints in cake icing, and generally makes life difficult for Sethe and her family; nevertheless, the woman finds the haunting oddly comforting for the spirit is that of her own dead baby, never named, thought of only as Beloved.

! A dead child, a runaway slave, a terrible secret--these are ! the cent ral concerns of Toni Morrison's Pulitzer Prize-winning Beloved. Morrison, a Nobel laureate, has written many fine novels, including Song of Solomon, The Bluest Eye, and Paradise--but Beloved is arguably her best. To modern readers, antebellum slavery is a subject so familiar that it is almost impossible to render its horrors in a way that seems neither clichéd nor melodramatic. Rapes, beatings, murders, and mutilations are recounted here, but they belong to characters so precisely drawn that the tragedy remains individual, terrifying to us because it is terrifying to the sufferer. And Morrison is master of the telling detail: in the bit, for example, a punishing piece of headgear used to discipline recalcitrant slaves, she manages to encapsulate all of slavery's many cruelties into one apt symbol--a device that deprives its wearer of speech. "Days after it was taken out, goose fat was rubbed on the corners o! f the mouth but nothing to soothe the tongue or take the wildness out of the eye." Most importantly, the language here, while often lyrical, is never overheated. Even as she recalls the cruelties visited upon her while a slave, Sethe is evocative without being overemotional: "Add my husband to it, watching, above me in the loft--hiding close by--the one place he thought no one would look for him, looking down on what I couldn't look at at all. And not stopping them--looking and letting it happen.... And if he was that broken then, then he is also and certainly dead now." Even the supernatural is treated as an ordinary fact of life: "Not a house in the country ain't packed to its rafters with some dead Negro's grief. We lucky this ghost is a baby," comments Sethe's mother-in-law.

Beloved is a dense, complex novel that yields up its secrets one by one. As Morrison takes us deeper into Sethe's history and her memories, the horrifying circumstances of ! her baby's death start to make terrible sense. And as past me! ets pres ent in the shape of a mysterious young woman about the same age as Sethe's daughter would have been, the narrative builds inexorably to its powerful, painful conclusion. Beloved may well be the defining novel of slavery in America, the one that all others will be measured by. --Alix WilberShows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee.Shows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee.Oprah Winfrey (THE COLOR PURPLE) and Danny Glover (LETHAL WEAPON IV, THE ROYAL TENENBAUMS) play the unforgettable lead roles in a powerful, widely acclaimed cinematic triumph from Jonathan Demme -- the Academy Award(R)-winning director of THE SILENCE OF THE LAMBS. On a difficult journey to find freedom, Sethe (Winfrey) is constantly confronted by the secrets that have haunted her for years. Then, an old friend from out of her past (Glover) unexpectedly reenters her life. With his ! help, Sethe may finally be able to rediscover who she is and regain her lost sense of hope. Also featuring outstanding performances from Thandie Newton (GRIDLOCK'D) and Lisa Gay Hamilton (TV's THE PRACTICE) -- you'll agree with critics everywhere who've hailed this landmark adaptation of Toni Morrison's Pulitzer Prize-winning novel as one of the year's finest films!This layered film, a labor of love from director Jonathan Demme and star Oprah Winfrey, covers a lot of turf in its nearly three-hour running time. Part slavery fable, part mother-daughter tale, part ghost story, Beloved demands an audience's full attention from its dramatic, slightly bewildering opening, when a family dog comes down on the wrong side of some angry, unseen force. But Demme and his talented cast provide an unforgettable payoff for those who surrender.

The film traces the life of Sethe (played in her middle years by Winfrey), a former slave who has rebuilt what seems to be a peaceful, p! roductive life in Ohio. Yet through chilling, sparing use of f! lashback , Demme slowly unveils, as does the Toni Morrison masterpiece on which the film is based, the horrors of Sethe's former life, and the terrible event that led to the haunting of Sethe's home.

While the horrors of slavery and the bloody event in Sethe's family leave undeniable impressions, the film's brilliance is also evidenced in smaller, equally satisfying ways. Rachel Portman's spiritual-influenced score is as uplifting as it is haunting, and the glimpses of the post-slavery African American world--as with a simple family outing to a local carnival, or a ladies' sewing-and-gospel circle--make this a treat for the intellect as well as the heart. The members of the cast, especially Kimberly Elise as Sethe's struggling daughter and Thandie Newton as the mysterious title character, are supremely affecting. --Anne Hurley

Emma (2009 BBC Version)

  •  Beautiful, clever, and rich Emma Woodhouse is convinced she is good at matchmaking after her older sister and her governess both marry suitable husbands. No matter that as Mr Knightley drily observes, in reality, she had nothing to do with these relationships. Yet Emma, certain of her talents, plays a dangerous game as she persuades her new friend, the young, pretty and socially inferior Har
Beautiful, clever, and rich Emma Woodhouse is convinced she is good at matchmaking after her older sister and her governess both marry suitable husbands. No matter that as Mr Knightley drily observes, in reality, she had nothing to do with these relationships. Yet Emma, certain of her talents, plays a dangerous game as she persuades her new friend, the young, pretty and socially inferior Harriet to reject an advantageous marriage proposal to a local farmer in favour of dashing Mr Elton. So begins a stor! y which challenges Emma's naivety, her social preconceptions and her relationship with Knightley. Fresh and funny, this perceptive adaptation, featuring a stellar cast, brings Jane Austen's comic masterpiece to life.Although Jane Austen's Emma has been adapted for the screen many times before, including for an American version starring Gwyneth Paltrow, this four-part miniseries is the version to begin with. The story of Miss Woodhouse, a matchmaker and meddler whose wit and misdirection need to be carefully acted to match the novel's complex character, is perfectly expressed through Romola Garai's portrayal. Throughout the retelling of this comedic romantic drama, Garai not only conveys Emma's strong-willed sensibility but also manages to update Emma for modern audiences without relinquishing the traditional manners and tastes that Austen fans love in her 1815 historical tale. Each episode, here, opens with a seasonal shot of Hartfield, the estate Emma rules w! hile caring for her loyal and kind but protective father (Mich! ael Gamb on). Having lost her mother early, Emma feels a bond with two other unfortunate children in Highbury, Frank Churchill (Rupert Evans) and Jane Fairfax (Laura Pyper), whom Emma befriends as they return home from boarding schools abroad.

The dramas that ensue revolve around Emma's attempts to pair lovers, with varied degrees of success. Episode One establishes Emma's curious desire to marry everyone off except herself. John Knightley (Johnny Lee Miller), Emma's childhood friend, is constantly by her side, coaching, supporting, and chiding her as she matures into an intelligent, regal young lady. Miller's ability to portray Knightley as the respectable, patient man he is throughout the series also lends this Emma incredible strength. In Episode Two, after Emma's beloved governess, Anne Taylor (Jodhi May), moves out to marry, Emma bonds with new girlfriend Harriet Smith (Louise Dylan), and from here we begin to see some of Emma's plans backfiring. Part of this series'! genius is in how it manages, in keeping with Austen's book, to express deeper love developing between Emma and her true mate while Highbury's daily gossip continues. Though in Episodes Three and Four one weathers some minor emotional upheaval with aging parents, losses of wealth, and illnesses, this story is not tragic and most side plots point toward Emma's final love realization, which does not arrive until the last 20 minutes of the last episode. Settings and costumes enhance the story greatly, and views of the village farmers' market contrast with lavish balls and dinner parties hosted by the Woodhouse family and others to underscore Austen's original emphasis on capturing the preoccupations of upper-class British society in her day. Some scenes, as in Episode One when Knightley and Emma squabble for much too long over whom Harriet should marry, drag on, allowing one to marvel at how much free time these people had to worry about other business besides their own. Still! , the romance in Emma is quite powerful and humor throu! ghout ma kes this series ultimately enchanting. --Trinie Dalton

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