Dungeons & Dragons: The Complete Animated Series

• An enchanted roller coaster delivers six youth into the magical realmof Dungeons & Dragons. There, each of them gains magical talentsand abilities, all the better to survive their time in the Realm. Thebow-shooting ranger, the acrobat, the thief, the cavalier, the boywizard and the barbarian are soon joined by a baby unicorn and tutoredby the mysterious and inscrutable Dungeon Master. Opposing

In the aftermath of revolution, King Kalak of Tyr is dead and all eyes fall on the lucrative iron mines of his once mighty city-state. Merchant houses scramble to seize what scraps they can while King Hamanu of Urik, the Lion of the Desert, rallies his armies to crush the Tyr rebellion underfoot. He cannot allow this insurrection to succeed and intends to seize the city’s precious resources for himself. The hope of the Tyr revolution seems destined to fail as the tyrannical specter of Hamanu’s wa! r machine looms large on the horizon.
 
But fate chooses the most unlikely heroes. Loren, a gladiator pressed into service by a corrupt merchant prince; the ambitious Alaeda Stel who hopes to secure her family’s future by exploiting Tyr’s sudden weakness; a street thief named Melech; and Korvak the disgraced templar are Tyr’s best and only hope. The promise of freedom rests on their ability to overcome the greed and lust for power that threatens to undermine the principles of Tyr’s revolution.

This second volume of the acclaimed Dungeons & Dragons comic reveals how our favorite band of adventurers first came together! But in present day, Fell's Five has found itself stranded in the mystical realm known as the Feywild, with few options for returning home. Join the party as John Rogers and Andrea Di Vito bring us a new chapter in their thrilling adventures of swords and sorcery!The complete Dungeons & Dragons series! In this extremely popular series ! an enchanted roller coaster delivers six youth into the magica! l realm of Dungeons and Dragons. There, each of them gains magical talents and abilities, all the better to survive their time in the Realm. The bow-shooting ranger, the acrobat, the thief, the cavalier, the boy wizard, and the barbarian are soon joined by a baby unicorn and tutored by the mysterious and inscrutable Dungeon Master. Opposing them is the evil Sorcerer Venger, as well as various ogres, demons, bounty hunters, dragons, lizard men, skeleton warriors and more, all intent on keeping the kids from getting back home!

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America's Sweethearts

• DVD
• JULIA ROBERTS
• BILLY CRYSTAL

FOR KIKI, BEING THE PERSONAL ASSISTANT TO BEAUTIFUL MEGASTARGWEN ISN'T EASY. IN FACT, IT'S NEARLY IMPOSSIBLE SINCE THE MANOF HER DREAMS IS EDDIE. GWEN'S ESTRANGED HUSBAND. KIKI IS GIVEN THE MONUMENTAL TASK OF HELPING GWEN AND EDDIE MAKE IT THROUGH A PRESS JUNKET ORGANIZED BY PUBLICITY EXEC LEE PHILLIPS.America's Sweethearts is just the kind of romantic froth that makes for pleasant viewing on a lazy, rainy day. While Julia Roberts, John Cusack, and Catherine Zeta-Jones offer high-wattage marquee value, costar and cowriter Billy Crystal reworks Singin' in the Rain for latter-day Hollywood, where estranged superstars Gwen (Zeta-Jones) and Eddie (Cusack) reluctantly promote their latest movie by pretending their messily disputed relationship is still going strong. The studio chief (Stanley Tucci) is desperate for a hit, so he hires ! a seasoned publicist (Crystal) to orchestrate a press junket that will cast everyone in a profitable light. The catch: The director (Christopher Walken) has abducted his own film in an act of artistic extortion, and Gwen's sister and longtime assistant Kiki (Roberts) is the true object of Eddie's desire.

Chaos ensues at the luxury hotel where the junket is scheduled, and America's Sweethearts pokes easy fun at the cynical machinery that keeps Hollywood running. Quotable quips are delivered in abundance, and while Zeta-Jones is readily convincing as a bitchy narcissist, Roberts effortlessly steals the show with her trademark charms. All of which makes America's Sweethearts lightly entertaining, even though it never rises (like Roberts's earlier Notting Hill) to the level of classic romantic comedy, hampered by a script that too often substitutes easy laughs for ripe satirical invention, flashing a phony grin when it should be baring its fangs. --J! eff Shannon

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Precious: Based on the Novel "Push" by Sapphire

• Condition: Used, Very Good
• Format: DVD
• AC-3; Closed-captioned; Color; Dolby; DVD; Subtitled; Widescreen; NTSC

Chris Rock visits beauty salons and hairstyling battles, scientific laboratories and Indian temples to explore the way hairstyles impact the activities, pocketbooks, sexual relationships, and self-esteem of the black community in this exposé of comic proportions that only he could pull off. A raucous adventure prompted by Rock’s daughter approaching him and asking, "Daddy, how come I don’t have good hair?”, GOOD HAIR shows Chris Rock engaging in frank, funny conversations with hair-care professionals, beauty shop and barbershop patrons, and celebrities including Ice-T, Nia Long, Paul Mooney, Raven Symoné, Dr. Maya Angelou, Salt-N-Pepa, Eve and Reverend Al Sharpton â€" all while he struggles with the task of figuring out how to respond to his daughter's question! .When one of Chris Rock's young daughters asked him an innocent question about having "good hair," the comedian probably had no idea just how complicated the answer would be. Fortunately for us, he decided to find out, and the result is this funny, informative, and highly entertaining documentary of the same name. Turns out that for a great many African-American women (and quite a few men, too), "good hair" means "white hair"--i.e., straight and lanky--while the natural or "nappy" look is bad. And oh, the lengths and expense women will go to in order to get "good hair"! In the course of the film, which was directed by Jeff Stilson and cowritten by Rock and several others, Rock first travels to Atlanta, home of the Bronner Brothers Hair Show, where thousands of folks buy and learn how to use new products (the show is also the site of the outrageous and climactic Hair Battle Royale, in which four stylists compete for money and fame). It's there that he learns about sodium hyd! roxide, better known as hair "relaxer," the "nap antidote," or! the "cr eamy crack" (as effective as the chemical substance is for straightening hair, it can also be highly dangerous). In Harlem and Los Angeles, he investigates the extraordinary popularity of hair weaves, which can cost tens of thousands of dollars annually to create and maintain; Rock even goes to Madras, India, source of most of the hair used in weaves (for Indian women, tonsure, or shaving their heads, is a ritual act of self-sacrifice). Along the way, Rock interviews a great many young women with fabulous hair (including actresses Nia Long, Raven-Symoné, and Kerry Washington, and rappers Salt-N-Pepa), but he also talks to the esteemed poet Maya Angelou, as well as men like rapper-actor Ice-T and the Reverend Al Sharpton. Sharpton, who is very amusing (he's referred to as "the Dalai Lama of relaxed hair"), is about the only celeb who touches on racial issues, pointing out that while it's African Americans who use the overwhelming majority of these hair products, the companie! s who sell them tend to be owned by Asians. Some viewers may object to the film's lack of a strong socio-political stance, but others will no doubt prefer the lighter touch, including a hilarious discussion at a barber shop about dating women with hair weaves (basically, it's "hands off the hair, pal"). --Sam Graham

When one of Chris Rock's young daughters asked him an innocent question about having "good hair," the comedian probably had no idea just how complicated the answer would be. Fortunately for us, he decided to find out, and the result is this funny, informative, and highly entertaining documentary of the same name. Turns out that for a great many African-American women (and quite a few men, too), "good hair" means "white hair"--i.e., straight and lanky--while the natural or "nappy" look is bad. And oh, the lengths and expense women will go to in order to get "good hair"! In the course of the film, which was directed by Jeff Stilson and cowritten by Rock and several others, Rock first travels to Atlanta, home of the Bronner Brothers Hair Show, where thousands of folks buy and learn how to use new products (the show is also the site of the outrageou! s and climactic Hair Battle Royale, in which four stylists compete for money and fame). It's there that he learns about sodium hydroxide, better known as hair "relaxer," the "nap antidote," or the "creamy crack" (as effective as the chemical substance is for straightening hair, it can also be highly dangerous). In Harlem and Los Angeles, he investigates the extraordinary popularity of hair weaves, which can cost tens of thousands of dollars annually to create and maintain; Rock even goes to Madras, India, source of most of the hair used in weaves (for Indian women, tonsure, or shaving their heads, is a ritual act of self-sacrifice). Along the way, Rock interviews a great many young women with fabulous hair (including actresses Nia Long, Raven-Symoné, and Kerry Washington, and rappers Salt-N-Pepa), but he also talks to the esteemed poet Maya Angelou, as well as men like rapper-actor Ice-T and the Reverend Al Sharpton. Sharpton, who is very amusing (he's referred to as "the ! Dalai Lama of relaxed hair"), is about the only celeb who touc! hes on r acial issues, pointing out that while it's African Americans who use the overwhelming majority of these hair products, the companies who sell them tend to be owned by Asians. Some viewers may object to the film's lack of a strong socio-political stance, but others will no doubt prefer the lighter touch, including a hilarious discussion at a barber shop about dating women with hair weaves (basically, it's "hands off the hair, pal"). --Sam Graham

Janet Jackson, Thandie Newton, and Whoopi Goldberg head up an all-star cast in a vibrant world where friends and strangers dream, fear, cry, love, and laugh out loud in an attempt to find their true selves. Adapted by writer/director Tyler Perry from Ntozake Shange's acclaimed choreopoem, this gripping film paints an unforgettable portrait of what it means to be a woman of color in the modern world.Tyler Perry breaks through to a new level of achievement as a writer and director in his remake of For Colored Girls (based on the groundbreaking 1970s play For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf, by Ntozak! e Shange). The cast is superb, especially Kimberly Elise and P! hylicia Rashad. And the rest of the cast is just as compelling, including a low-key Janet Jackson, Loretta Devine, singer Macy Gray, Thandie Newton, Whoopi Goldberg, Kerry Washington, and Anika Noni Rose. For Colored Girls follows each actress/character as she faces prejudice, economic challenges, male abandonment, role upheaval--and all the emotions that go along with them. The original play was performed as poetry, and while the editing of For Colored Girls is a little uneven, Perry lets Shange's poetry truly shine through. Any person of color, any woman, and anyone who cares about them, will be drawn in to the deepest dramas a woman of color can experience--in the '70s or today. Viewers will get goose bumps when Newton's character, Tangie, says, "Being alive and being a woman is all I got, but being colored is a metaphysical dilemma I haven't conquered yet." And Elise as Crystal is utterly heartbreaking, with a performance reminiscent of her unforgettable turn in Beloved. The soundtrack of For Colored Girls is as unforgettable as the film, with performances by Gray, Sharon Jones, and others, including Estelle, in a showstopping version of "All Day Long (Blue Skies)." The blues may be wrenching--but in For Colored Girls, they make up the poetry of life. --A.T. HurleyPrecious Jones, an inner-city high school girl, is illiterate, overweight, and pregnant…again. Naïve and abused, Precious responds to a glimmer of hope when a door is opened by an alternative-school teacher. She is faced with the choice to follow opportunity and test her own boundaries. Prepare for shock, revelation and celebration.Not every movie can survive the kind of hype--multiple awards at Sundance and other festivals, rapturous reviews, nominated for six Academy Awards and winner of two, for Best Supporting Actress and Best Screenplay--that greeted the release of Precious: Based on the Novel "Push" by Sapphire, but this extraor! dinary piece of work is more than up to the task. What's parti! cularly notable about the film's success and acclaim is that in the beginning, at least, it presents one of the grimmest scenarios imaginable. The scene is Harlem, New York, in 1987. Teenager Clarisse Precious Jones (played by newcomer Gabourey Sibide in an absolutely fearless performance) is dirt poor, morbidly obese, semiliterate, and pregnant for the second time--both courtesy of her own father (the first baby was born with Down syndrome). Her home life is several levels below Hell, as her bitter, vengeful welfare mother, Mary (Mo'Nique, in a role that has generated legitimate Oscar® buzz), abuses her both physically and otherwise (telling Precious she should have aborted her is only the worst of a relentless flood of insults and vitriol). Yet somehow, the young woman still has hopes and dreams (depicted in a series of delightful fantasy sequences). She enrolls in an alternative school, where a young teacher (Paula Patton) takes her under her wing and even into her home, and vis! its a social worker (an excellent Mariah Carey; fellow pop star Lenny Kravitz is also effective as a male nurse) who further helps bring Precious out of the darkness. Incredibly, Precious's circumstances deteriorate even more before showing the slightest sign of improvement, and a climactic confrontation with her mother is one of the more wrenching scenes in recent memory. But against all odds, director Lee Daniels, screenwriter Geoffrey Fletcher (working from Sapphire's novel), and especially the wondrously affecting Sibide have managed to make Precious a film that will lift the viewer far higher up that one might ever have thought possible. --Sam Graham

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Hatchet (Unrated Director's Cut) [Blu-ray]

• HATCHET BLU-RAY (BLU-RAY DISC)

MARYBETH RETURNS TO THE LOUSIANA SWAMPS ALONG WITH AN ARMY OF HUNTERS TO RECOVER THE BODIES OF HER FAMILY AND EXACT HER REVENGE AGAINST VICTOR CROWLEYThere's probably no better visceral creep-out than a close-up eye gouging (just ask Luis Buñuel). Director Adam Green learned this well by using the old thumb-in-socket shot as the climax of his 2006 cult hit Hatchet, and he repeats it as the opener of Hatchet II. This micro-budget sequel picks up just as the original ends, with the aforementioned eye still belonging to the deformed swamp monster Victor Crowley (again played by ace stuntman and Friday the 13th alumni Kane Hodder). The thumb belongs to demure Marybeth (Danielle Harris), who turns out to be the sole survivor of the first film's tour-boat cruise through Louisiana's most disgusting swamp. She escapes Crowley's one-eyed clutches an! d finds her way back to New Orleans and the lair of voodoo conman Reverend Zombie (Tony Todd, of Candyman fame), where a posse of redneck morons is quickly assembled to return to the swamp and squash the innards and legend of Victor Crowley for good.

All this Victor Crowley and innards-squashing business will be familiar to fans of Hatchet, of which there are legions. Indeed, it feels as though Green has made Hatchet II as a love letter to them, raising the bloody-disgusting body count and creative means of murder--outboard motor, super-size chainsaw, belt sander--strictly to satisfy an urge felt only by the supremely devoted. Billed as an unrated director's cut, the DVD version will surely send them swooning with even more latex guts and buckets of Kool-Aid-colored blood than they might remember from midnight theatrical shows. Even the commentary tracks and making-of documentary are filled with backslaps dedicated to the exclusive Hatchet g! roupie club. Green is intentionally riffing on slasher films n! ot only with the comic dialogue and dopey characters, but also by employing icons of the genre as actors. In addition to Hodder and Todd, Tom Holland, director of fanboy favorites Fright Night and Child's Play, turns up in another key role. Unfortunately, Green's sense of insider humor and commitment to a limited demographic seems to have clouded what could have been a more interesting movie. But you're probably not watching Hatchet II to see an interesting movie. You're watching to see a giddy homage to the glory days of practical gore effects and enjoy the goofy fun of howling at senseless characters that lose their heads and countless other body parts in ever more creative ways. --Ted FryStudio: Mpi Home Video Release Date: 02/01/2011 Rating: NrThere's probably no better visceral creep-out than a close-up eye gouging (just ask Luis Buñuel). Director Adam Green learned this well by using the old thumb-in-socket shot as the climax of his 2006 cult hit! Hatchet, and he repeats it as the opener of Hatchet II. This micro-budget sequel picks up just as the original ends, with the aforementioned eye still belonging to the deformed swamp monster Victor Crowley (again played by ace stuntman and Friday the 13th alumni Kane Hodder). The thumb belongs to demure Marybeth (Danielle Harris), who turns out to be the sole survivor of the first film's tour-boat cruise through Louisiana's most disgusting swamp. She escapes Crowley's one-eyed clutches and finds her way back to New Orleans and the lair of voodoo conman Reverend Zombie (Tony Todd, of Candyman fame), where a posse of redneck morons is quickly assembled to return to the swamp and squash the innards and legend of Victor Crowley for good.

All this Victor Crowley and innards-squashing business will be familiar to fans of Hatchet, of which there are legions. Indeed, it feels as though Green has made Hatchet II as a love letter to the! m, raising the bloody-disgusting body count and creative means! of murd er--outboard motor, super-size chainsaw, belt sander--strictly to satisfy an urge felt only by the supremely devoted. Billed as an unrated director's cut, the DVD version will surely send them swooning with even more latex guts and buckets of Kool-Aid-colored blood than they might remember from midnight theatrical shows. Even the commentary tracks and making-of documentary are filled with backslaps dedicated to the exclusive Hatchet groupie club. Green is intentionally riffing on slasher films not only with the comic dialogue and dopey characters, but also by employing icons of the genre as actors. In addition to Hodder and Todd, Tom Holland, director of fanboy favorites Fright Night and Child's Play, turns up in another key role. Unfortunately, Green's sense of insider humor and commitment to a limited demographic seems to have clouded what could have been a more interesting movie. But you're probably not watching Hatchet II to see an interesting! movie. You're watching to see a giddy homage to the glory days of practical gore effects and enjoy the goofy fun of howling at senseless characters that lose their heads and countless other body parts in ever more creative ways. --Ted FryGet ready for one of the most talked-about, red- blooded American horror movies of the past 20 years: When a group of New Orleans tourists take a cheesy haunted swamp tour, they slam face-first into the local legend of deformed madman Victor Crowley. What follows is a psycho spree of seat-jumping scares, eye- popping nudity, skull-splitting mayhem and beyond. Joel David Moore (DODGEBALL), Deon Richmond (SCREAM 3) and Mercedes McNab (BUFFY THE VAMPIRE SLAYER) star â€" along with horror icons Tony ‘Candyman’ Todd, Robert ‘Freddy Krueger’ Englund and Kane ‘Jason’ Hodder â€" in this screamingly funny carnage classic that Fangoria hails as “a no-hold-barred homage to the days when slasher films were at their reddest and wet! test!”Adam Green's Hatchet is a goofy, gory gas that ! pays tri bute to the slasher boom of the 1980s by placing more hapless teens in the path of an indestructible maniac. Said killer is Victor Crowley (Kane Hodder, Jason in many of the later Friday the 13th entries), a deformed Louisiana swamp dweller who returns from an apparent fiery death to lay waste to a mixed bag of tourists and Mardi Gras revelers who've wandered into his turf on a "haunted swamp" tour. Hatchet doesn't exactly surpass the movies it's spoofing; Green's characters are dopey ciphers, and Crowley's indiscriminate killing spree negates his sympathetic origins. But the dialogue is glib and the performances funny (especially Parry Shen as the tour's unlikely guide and Joel David Moore as the lovelorn hero), and '80s horror aficionados will appreciate John Carl Buechler's outrageously gross effects (which get more screen time in this unrated cut). There are also cameos by genre vets Robert Englund and Tony Todd, as well as Joshua Leonard from The Blair ! Witch Project. The widescreen DVD includes commentary by Green and several of his players, as well as featurettes on the making of the film, its villain and his elaborate makeup, and a scene breakdown of one of the film's most jaw-dropping effects. A gag reel and a conversation between Green and Twisted Sister frontman and horror fan Dee Snider rounds out the commentary. -- Paul GaitaStudio: Tcfhe/anchor Bay/starz Release Date: 09/07/2010 Run time: 84 minutes Rating: NrAdam Green's Hatchet is a goofy, gory gas that pays tribute to the slasher boom of the 1980s by placing more hapless teens in the path of an indestructible maniac. Said killer is Victor Crowley (Kane Hodder, Jason in many of the later Friday the 13th entries), a deformed Louisiana swamp dweller who returns from an apparent fiery death to lay waste to a mixed bag of tourists and Mardi Gras revelers who've wandered into his turf on a "haunted swamp" tour. Hatchet doesn't exact! ly surpass the movies it's spoofing; Green's characters are do! pey ciph ers, and Crowley's indiscriminate killing spree negates his sympathetic origins. But the dialogue is glib and the performances funny (especially Parry Shen as the tour's unlikely guide and Joel David Moore as the lovelorn hero), and '80s horror aficionados will appreciate John Carl Buechler's outrageously gross effects (which get more screen time in this unrated cut). There are also cameos by genre vets Robert Englund and Tony Todd, as well as Joshua Leonard from The Blair Witch Project. The widescreen DVD includes commentary by Green and several of his players, as well as featurettes on the making of the film, its villain and his elaborate makeup, and a scene breakdown of one of the film's most jaw-dropping effects. A gag reel and a conversation between Green and Twisted Sister frontman and horror fan Dee Snider rounds out the commentary. -- Paul Gaita

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Clean Eau De Parfum, Original, 2.14-Fluid Ounce

• Packaging for this product may vary from that shown in the image above
• This item is not for sale in Catalina Island

Clean is an M.D.'s program designed to be easily incorporated into our busy schedule while providing all the practical tools necessary to support and rejuvenate our bodies. The effect is transformative: nagging health problems will suddenly disappear, extra weight will drop away, and for the first time in our lives we will experience what it truly means to feel healthy.

You’re probably wondering how I ended up here. I’m still wondering the same thing.

Olivia, Kelly, Christopher, Jason, and Eva have one thing in common: They're addicts. Addicts who have hit rock bottom and been stuck together in rehab to face their problems, face sobriety, and face themselves. None of them wants to be there. None of them wants to confront the truths about thei! r pasts. And they certainly don’t want to share their darkest secrets and most desperate fears with a room of strangers. But they'll all have to deal with themselves and one another if they want to learn how to live. Because when you get that high, there's nowhere to go but down, down, down.Clean presents the revolutionary health program that Uruguayan-born Alejandro Junger, MD, director of integrative medicine at Lenox Hill Hospital in New York City, has developed over years of practice. Beginning with his own personal experience, Junger leads us through the steps of restoring and rejuvenating our bodies and minds with resources that we’ve always had inside us but very often neglected to use. Junger offers a bleak diagnosis of a world that has filled our bodies with toxins. We have come to accept our bothersome health problemsâ€"such as allergies, restless nights, anxiety, indigestion, extra weight, acne, head colds, and virusesâ€"as givens. We look to over-the-counter! medication to alleviate our daily ailments, a practice that o! nly perp etuates chronic health issues instead of curing their causes. Junger steers us away from self-medicating and claims instead that our health problems can be remedied if we restore our bodies to their full, natural potential. The program is designed for people who live busy lives and find themselves all too often succumbing to toxic fast food diets and poor sleeping and exercise habits. Junger gives the reader ample information and guidance in each chapter of the book, and includes multiple easy-to-prepare and healthy recipes as an appendix. Written in clear, concise, and accessible prose, Clean provides us with the tools to empower ourselves and to take a refreshing, thoughtful look at the way we live today.

It’s easier than you think to clean your home in a nontoxic, environmentally responsible way! Conceptualized and designed by legendary publishing visionary Joost Elffers—the force behind such bestsellers as Play With Your Food and The 48 Laws of Power—this wonderful guide will help get your house shipshape without hurting the environment or your health. Inspirational cleaning guru Michael de Jong writes with humor and a Zen-like spirit as he presents five safe, all-natural products that take care of just about anything: Baking Soda, Borax, Lemon, Salt, and White Vinegar. Each one gets a chapter featuring dozens of clever tips, while a handy alphabetized directory, organized by category, makes it easy to locate the information you need. With its graphically stunning and easy-to-use design, Clean helps you find your spic-and-span center.

Journey with Sarah Mae for 31 Days as you get your home and your heart in order. Give Sarah Mae 31 days and she'll give you not only a cleaner home, but a vision for one.

31 Days to Clean is about the "why" and the vision and the heart for taking care of your domain. Each day you will be encouraged with some thoughts and ideas on the heart of cleaning, and then you! will put those ideas to action.

After each days re! ading, y ou will be given two challenges:

The Mary Challenge -Something you do that encourages/engages your heart
The Martha Challenge - Specific cleaning tasks

31 Days to Clean is a faith journey towards ruling, subduing, and loving. It is about forgoing perfection and instead choosing life.

"What do you think of when you consider doing laundry, washing dishes, and cleaning the dreaded bathroom? Are you discouraged? Do you feel overwhelmed? I have to say I feel that way ... often. In all my live-long days I haven't seen my home as a ministry. Can I serve Jesus and others as I clean my home? Sarah Mae proves I can. As a wife, mom, mother-in-law and mentor to teenage moms I'm going to cherish this book and share what I learned. Cleaning is more than just fighting germs. It can be a ministry of the heart!"
-Tricia Goyer, author of 25 books, include Blue Like Play Dough: The Shaping of Motherhood in the Grip of God
Journey with Sar! ah Mae for 31 Days as you get your home and your heart in order. Give Sarah Mae 31 days and she'll give you not only a cleaner home, but a vision for one.

31 Days to Clean is about the "why" and the vision and the heart for taking care of your domain. Each day you will be encouraged with some thoughts and ideas on the heart of cleaning, and then you will put those ideas to action.

After each days reading, you will be given two challenges:

The Mary Challenge -Something you do that encourages/engages your heart
The Martha Challenge - Specific cleaning tasks

31 Days to Clean is a faith journey towards ruling, subduing, and loving. It is about forgoing perfection and instead choosing life.

"What do you think of when you consider doing laundry, washing dishes, and cleaning the dreaded bathroom? Are you discouraged? Do you feel overwhelmed? I have to say I feel that way ... often. In all my live-long days I haven't seen my home as a ministry.! Can I serve Jesus and others as I clean my home? Sarah Mae pr! oves I c an. As a wife, mom, mother-in-law and mentor to teenage moms I'm going to cherish this book and share what I learned. Cleaning is more than just fighting germs. It can be a ministry of the heart!"
-Tricia Goyer, author of 25 books, include Blue Like Play Dough: The Shaping of Motherhood in the Grip of God
Launched by the design house of Dlish.

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Gone, Baby, Gone: A Novel

• ISBN13: 9780061336218
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Gone Baby Gone is Ben Affleck s directorial debut, adapted by Affleck from the novel by Dennis Lehane "Mystic River".
It is an intense look inside an ongoing investigation about the mysterious disappearance of a little girl. As two young private detectives (Casey Affleck and Michelle Monaghan) hired to take the case get closer to finding her, they discover that nothing is as it seems and more dangerous than they ever thought possible. Also starring Academy Award® winners Morgan Freeman (Million Dollar Baby) and Ed Harris (Pollack).For his initial offering as director, Ben Affleck returns to the site of his first Oscar: South Boston. (He and Matt Damon shared the award for Good Will Hunting! .) Hot on the heels of his moving turn in Hollywoodland, Affleck's Dennis Lehane adaptation marks one of the more seamless actor-to-filmmaker transitions in recent years. Ostensibly, a procedural about the search for a missing child, class and corruption emerge as his primary concerns. First off, there's low-rent private eye Patrick Kenzie (Casey Affleck, equally adept in The Assassination of Jesse James by the Coward Robert Ford). Then there's the girl's drug mule mother, Helene (Amy Ryan, Before the Devil Knows You're Dead). She and Patrick grew up in Dorchester, but he took a different path, setting up an agency with his girlfriend, Angie (Michelle Monaghan). Helene's aunt, Bea (Amy Madigan), hires the duo to augment the investigation, and they team up with Captain Doyle (Morgan Freeman) and Detective Bressant (Madigan's husband, Ed Harris). The authorities don't appreciate the interference, but Patrick knows how to get the local populace talking, an! d he soon finds there's more to the story than anyone could po! ssibly i magine. Hard-hitting, but never soft-headed, the evocative end result proves Affleck has a flair for this directing thing and that his little brother can carry a major motion picture with aplomb. Gone Baby Gone belongs on the list of great Boston crime dramas, along with The Departed and Mystic River, Clint Eastwood’s take on Lehane. --Kathleen C. Fennessy

The tough neighborhood of Dorchester is no place for the innocent or the weak. Its territory is defined by hard heads and even harder luck; its streets are littered with the detritus of broken families, hearts, dreams. Now, one of its youngest is missing. Private investigators Patrick Kenzie and Angela Gennaro don’t want the case. But after pleas from the child’s aunt, they open an investigation that will ultimately risk everythingâ€"their relationship, their sanity, and even their livesâ€"to find a little girl lost.

Cheese Olamon, "a six-foot-two, four-hundred-and-thirty-pound ye! llow-haired Scandinavian who'd somehow arrived at the misconception he was black," is telling his old grammar school friends Patrick Kenzie and Angie Gennaro why they have to convince another mutual chum, the gun dealer Bubba Rugowski, that Cheese didn't try to have him killed. "You let Bubba know I'm clean when it comes to what happened to him. You want me alive. Okay? Without me, that girl will be gone. Gone-gone. You understand? Gone, baby, gone." Of all the chilling, completely credible scenes of sadness, destruction, and betrayal in Dennis Lehane's fourth and very possibly best book about Kenzie and Gennaro, this moment stands out because it captures in a few pages the essence of Lehane's success.

Private detectives Kenzie and Gennaro, who live in the same working-class Dorchester neighborhood of Boston where they grew up, have gone to visit drug dealer Cheese in prison because they think he's involved in the kidnapping of 4-year-old Amanda McCready! . Without sentimentalizing the grotesque figure of Cheese, Le! hane tel ls us enough about his past to make us understand why he and the two detectives might share enough trust to possibly save a child's life when all the best efforts of traditional law enforcement have failed. By putting Kenzie and Gennaro just to one side of the law (but not totally outside; they have several cop friends, a very important part of the story), Lehane adds depth and edge to traditional genre relationships. The lifelong love affair between Kenzie and Gennaro--interrupted by her marriage to his best friend--is another perfectly controlled element that grows and changes as we watch. Surrounded by dead, abused, and missing children, Kenzie mourns and rages while Gennaro longs for one of her own. So the choices made by both of them in the final pages of this absolutely gripping story have the inevitability of life and the dazzling beauty of art.

Other Kenzie/Gennaro books available in paperback: Darkness, Take My Hand, A Drink Before the! War, Sacred. --Dick Adler

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Playskool Alphie

• There's a whole lot to discover when you're a preschooler and this Alphie figure shares one of the most important lessons, too
• Fun and engaging electronic robot figure
• Introduce your child to letters, math skills, special reasoning, cause and effect and much more
• Robot figure sings and plays music and features light up buttons
• Robot figure comes with 30 double-sided cards

Fun and engaging electronic robot figure introduces your child to letters, math skills, special reasoning, cause and effect and much more. Robot figure “sings” and plays music and features light up buttons!

• Robot figure comes with 30 double-sided cards
• Includes 3 “AA” batteries
• Recommended Ages: 3 years & up

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Sultry crime boss Lucy Diamond (Jordana Brewster, The Fast and the Furious) is back in the states and the D.E.B.S.- an elite team of paramilitary college co-ed superspies- are hot on her trail. But when their top agent, gorgeous Amy Bradshaw (Sara Foster, The Big Bounce), mysteriously disappears after coming face to face with the attractive young villainess, the D.E.B.S. begin a full-scale search for Lucy's secret lair, never suspecting that Amy may not want to be rescued after all, in this smart and sexy spy spoof about love a! t first gun sight.You can say this about D.E.B.S.: director Angela Robinson’s 2005 feature isn’t very good, but it is surprisingly entertaining. The premise, which bears a passing resemblance to any number of previous films (from Heathers and Clueless to Charlie’s Angels and the Austin Powers franchise), involves a secret government agency recruiting young women as spies, based on their smarts, their ability to lie convincingly, and the fact that they look fetching in ultra-miniskirts. Four of the D.E.B.S. are then charged with collaring "criminal mastermind" Lucy Diamond (Jordana Brewster), who has returned to the States after hatching all manner of nefarious plots overseas. Then comes the twist: Diamond is gay, and one of our heroines, Amy Bradshaw (Sara Foster), unexpectedly finds herself falling in love with her. Out goes the espionage element; in comes the love story, and therein lies the surprise, as this burgeoning lesbian rel! ationship is handled with unexpected sympathy, even tenderness! . Sure, the acting, even by veteran grownups like Holland Taylor and Michael Clarke Duncan, is almost uniformly lame, and the script is silly; overall, the film would have to put on considerable weight to even be considered frothy. Still, D.E.B.S. isn’t a bad way to kill a couple of hours. DVD bonus features include a making-of featurette and commentary by Robinson and the cast. --Sam GrahamYou can say this about D.E.B.S.: director Angela Robinson’s 2005 feature isn’t very good, but it is surprisingly entertaining. The premise, which bears a passing resemblance to any number of previous films (from Heathers and Clueless to Charlie’s Angels and the Austin Powers franchise), involves a secret government agency recruiting young women as spies, based on their smarts, their ability to lie convincingly, and the fact that they look fetching in ultra-miniskirts. Four of the D.E.B.S. are then charged with collaring "criminal mastermind! " Lucy Diamond (Jordana Brewster), who has returned to the States after hatching all manner of nefarious plots overseas. Then comes the twist: Diamond is gay, and one of our heroines, Amy Bradshaw (Sara Foster), unexpectedly finds herself falling in love with her. Out goes the espionage element; in comes the love story, and therein lies the surprise, as this burgeoning lesbian relationship is handled with unexpected sympathy, even tenderness. Sure, the acting, even by veteran grownups like Holland Taylor and Michael Clarke Duncan, is almost uniformly lame, and the script is silly; overall, the film would have to put on considerable weight to even be considered frothy. Still, D.E.B.S. isn’t a bad way to kill a couple of hours. DVD bonus features include a making-of featurette and commentary by Robinson and the cast. --Sam GrahamBUSTED - DVD MovieYou can say this about "D.E.B.S.": director Angela Robinson'Äôs 2005 feature isn'Äôt very good, but it is surpr! isingly entertaining. The premise, which bears a passing resem! blance t o any number of previous films (from "Heathers" and "Clueless" to "Charlie'Äôs Angels" and the "Austin Powers" franchise), involves a secret government agency recruiting young women as spies, based on their smarts, their ability to lie convincingly, and the fact that they look fetching in ultra-miniskirts. Four of the D.E.B.S. are then charged with collaring "criminal mastermind" Lucy Diamond (Jordana Brewster), who has returned to the States after hatching all manner of nefarious plots overseas. Then comes the twist: Diamond is gay, and one of our heroines, Amy Bradshaw (Sara Foster), unexpectedly finds herself falling in love with her. Out goes the espionage element; in comes the love story, and therein lies the surprise, as this burgeoning lesbian relationship is handled with unexpected sympathy, even tenderness. Sure, the acting, even by veteran grownups like Holland Taylor and Michael Clarke Duncan, is almost uniformly lame, and the script is silly; overall, the film ! would have to put on considerable weight to even be considered frothy. Still, "D.E.B.S." isn'Äôt a bad way to kill a couple of hours. DVD bonus features include a making-of featurette and commentary by Robinson and the cast. "--Sam Graham"You can say this about D.E.B.S.: director Angela Robinson’s 2005 feature isn’t very good, but it is surprisingly entertaining. The premise, which bears a passing resemblance to any number of previous films (from Heathers and Clueless to Charlie’s Angels and the Austin Powers franchise), involves a secret government agency recruiting young women as spies, based on their smarts, their ability to lie convincingly, and the fact that they look fetching in ultra-miniskirts. Four of the D.E.B.S. are then charged with collaring "criminal mastermind" Lucy Diamond (Jordana Brewster), who has returned to the States after hatching all manner of nefarious plots overseas. Then comes the twist: Diamond is gay, a! nd one of our heroines, Amy Bradshaw (Sara Foster), unexpected! ly finds herself falling in love with her. Out goes the espionage element; in comes the love story, and therein lies the surprise, as this burgeoning lesbian relationship is handled with unexpected sympathy, even tenderness. Sure, the acting, even by veteran grownups like Holland Taylor and Michael Clarke Duncan, is almost uniformly lame, and the script is silly; overall, the film would have to put on considerable weight to even be considered frothy. Still, D.E.B.S. isn’t a bad way to kill a couple of hours. DVD bonus features include a making-of featurette and commentary by Robinson and the cast. --Sam GrahamA reluctant young hero holds the key to the future of mankind in the palm of his hand in this eye-popping, sci-fi adventure. In the year 3028 the Drej, a vicious alien race, has destroyed earth. Fifteen years later a young man named Cale learns he possesses a genetically encoded map to the Titan, a spaceship that holds the secret to the salvation of the human ra! ce. With the Drej in hot pursuit, Cale blasts off with the crew of the Valkyrie in an attempt to find the Titan before the Drej destroy it - and with it, mankind's last chance for a home of their own. Featuring an all-star voice cast that includes Matt Damon and Drew Barrymore and an edgy, out of this world soundtrack, Titan A.E. is an intergalactic thrill ride for a new generation.A visual knockout, Titan A.E. is an ambitious animated feature that combines traditional animations, computer-generated imagery, and special effects in the service of a science fiction adventure plotted with narrative conventions familiar from Star Wars and Star Trek. Credit directors Don Bluth (An American Tail, The Secret of NIMH, Anastasia) and Gary Goldman with crafting a vivid, convincing look to this deep space saga, which conjures some stunning images. A tense opening sequence climaxing in the destruction of Earth, a watery planet where delicate ! but deadly hydrogen trees float, joyriding in a starship while! pursued by playful "space angels," and a nerve-wracking journey through a lethal maze of massive ice crystals each qualify as mesmerizing sequences in any film context.

What's visually stunning proves intermittently stunted on the narrative front, however. Orphaned when the evil Drej atomize Earth, protagonist Cale (voiced by Matt Damon) must journey across space to unlock the mystery of his late father's final project, the Titan spacecraft, in a test of faith and filial identity that echoes Star Wars. The Titan itself ultimately poses a cosmic potential familiar to admirers of Star Trek II: The Wrath of Khan. Comical sidekicks (Nathan Lane, Janeane Garofalo, John Leguizamo), a sultry love interest (Drew Barrymore), and a roguish mentor (Bill Pullman) all verge on the generic, narrowly redeemed by dialogue from a writing team including Buffy the Vampire Slayer creator Joss Whedon.

It's likely that Titan's target audience of young ma! les prompted the filmmakers to walk a tightrope between softer family features and more violent, hard-edged anime. Titan's brief bloodshed and coy nudity stop short of PG-13 terrain, though younger viewers might be unsettled by the violence. Young teens will find the proceedings tamer than the video games and anime fantasies that have influenced it. --Sam SutherlandUn quartetto di spie giovani e sexy è sulle tracce di una spietata criminale il cui solo delitto ultimamente è stato quello di cercare l'anima gemella in una girandola di appuntamenti disastrosi. Ma un incontro inatteso fa sbocciare l'amore tra la cattiva e una delle spie gettando il mondo degli agenti segreti nella più grande confusione.Contact me if you are interested in larger wholesale quantities of this or other products. Designed to fit: Fits Eureka original Manufacture bag part number : 52318, 52318-12, 57697-12 Filteraire, 54921-10, 54021-10 Eureka Mighty Mite canister Series 3000 and 3100 White Westinghouse canister models using style VIP 9020 Does not fit Eureka Might Mite canisters using style MM or N bags! I have other listings for those styles check out my Ebay store. Fits these models and others: Eureka Floorshow Cleaner Model : 3015B , 3035A , 3035B , 3035D, 3020BE Eureka Mighty Mite Canister Model : 3109AM , 3109BM, 3111A , 3123A , 3134A , 3140D , 3140E , 3155A Eureka Home Cleaning System Model 8281D Eureka Commercial Mighty Mite Canister Model S3191B , S3191E Item is: Micron filtration Allergy Bag Traps Bacteria, Dust Mites, etc. down to 0.01 micron At these prices I change my bag once a month whether it is full or not! That gives my vacuum always optimum cleaning performance

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Dumb & Dumberer [VHS]

• THE MISADVENTURES OF TWO INCREDIBLY STUPID GUYS.You ll be dumbstruck. That s a good thing. Lloyd (Jim Carrey) and Harry (Jeff Daniels) deliver a delirious no-brainer (Side A s Dumb and Dumber) as they hit the road to return a misplaced briefcase to its owner (Lauren Holly). The fellas don t know the case is crammed with ransom money. But you will. And so will the mob guys trying to get the case ba

Harry meets Lloyd and assembles a ragtag team for a high school experience unlike any other in this prequel to the hit comedy, Dumb and Dumber.A passable comedy for delinquent kids and unambitious teens with time to kill, Dumb and Dumberer does for prequels what Jerry Springer did for daytime television. With only faint connection to the 1994 hit starring Jim Carrey and Jeff Daniels, this ill-conceived prequel follows the Carrey/Daniels characters, Lloyd and Harry, as they bungle their way th! rough high school. The principal and his demented lunch lady (Eugene Levy and SNL alumnus Cheri Oteri) have hatched a scheme to embezzle funds intended for students with "special needs," and Harry & Lloyd unwittingly recruit a few "intellectually challenged" classmates to fuel the plot. Veteran TV director Troy Miller prefers to keep the humor low and lowerer: Scatological jokes, puerile double-entendres, and juvenile sight gags ensure that Dumb and Dumberer lives up to its title. As Lloyd and Harry, respectively, Eric Christian Olsen and Derek Richardson deliver a few laughs, but they're stuck in a movie with special needs of its own. --Jeff ShannonDUMB AND DUMBER DOUBLE FEATURE - DVD MovieHarry meets Lloyd and assembles a ragtag team for a high school experience unlike any other in this prequel to the hit comedy, Dumb and Dumber.A passable comedy for delinquent kids and unambitious teens with time to kill, Dumb and Dumberer does for prequels wh! at Jerry Springer did for daytime television. With only faint ! connecti on to the 1994 hit starring Jim Carrey and Jeff Daniels, this ill-conceived prequel follows the Carrey/Daniels characters, Lloyd and Harry, as they bungle their way through high school. The principal and his demented lunch lady (Eugene Levy and SNL alumnus Cheri Oteri) have hatched a scheme to embezzle funds intended for students with "special needs," and Harry & Lloyd unwittingly recruit a few "intellectually challenged" classmates to fuel the plot. Veteran TV director Troy Miller prefers to keep the humor low and lowerer: Scatological jokes, puerile double-entendres, and juvenile sight gags ensure that Dumb and Dumberer lives up to its title. As Lloyd and Harry, respectively, Eric Christian Olsen and Derek Richardson deliver a few laughs, but they're stuck in a movie with special needs of its own. --Jeff Shannon

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