The Tenth Insight: Holding the Vision (Celestine Prophecy)

• ISBN13: 9780446674577
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

You have never read a book like this before -- a book that comes along once in a lifetime to change lives forever.

In the rain forests of Peru, an ancient manuscript has been discovered. Within its pages are 9 key insights into life itself -- insights each human being is predicted to grasp sequentially; one insight, then another, as we move toward a completely spiritual culture on Earth. Drawing on ancient wisdom, it tells you how to make connections among the events happening in your life right now and lets you see what is going to happen to you in the years to come. The story it tells is a gripping one of adventure and discovery, but it is also a guidebook that has the power to crystallize you! r perceptions of why you are where you are in life and to direct your steps with a new energy and optimisim as you head into tomorrow.Find out for yourself why virtually everyone you know has this book, described as an "adventure in pursuit of a spiritual mystery", on their coffee table. In the tradition of Carlos Castaneda's The Teachings of Don Juan. The adventure that began with The Celestine Prophecy continues as the action shifts to a wilderness in the American Southeast where the narrator's friend has disappeared.

Read more »

Galaxy Quest

• Comedy DVD

GALAXY QUEST (DELUXE EDITION) - DVD MovieYou don't have to be a Star Trek fan to enjoy Galaxy Quest, but it certainly helps. A knowingly affectionate tribute to Trek and any other science fiction TV series of the 1960s and beyond, this crowd-pleasing comedy offers in-jokes at warp speed, hitting the bull's-eye for anyone who knows that (1) the starship captain always removes his shirt to display his manly physique; (2) any crew member not in the regular cast is dead meat; and (3) the heroes always stop the doomsday clock with one second to spare. So it is with Commander Taggart (Tim Allen) and the stalwart crew of the NSEA Protector, whose intergalactic exploits on TV have now been reduced to a dreary cycle of fan conventions and promotional appearances. That's when the Thermians arrive, begging to be saved from Sarris, the reptilian villain who th! reatens to destroy their home planet.

Can actors rise to the challenge and play their roles for real? The Thermians are counting on it, having studied the "historical documents" of the Galaxy Quest TV show, and their hero worship (not to mention their taste for Monte Cristo sandwiches) is ultimately proven worthy, with the help of some Galaxy geeks on planet Earth. And while Galaxy Quest serves up great special effects and impressive Stan Winston creatures, director Dean Parisot (Home Fries) is never condescending, lending warm acceptance to this gentle send-up of sci-fi TV and the phenomenon of fandom. Best of all is the splendid cast, including Sigourney Weaver as buxom blonde Gwen DeMarco; Alan Rickman as frustrated thespian Alexander Dane; Tony Shalhoub as dimwit Fred Kwan; Daryl Mitchell as former child-star Tommy Webber; and Enrico Colantoni as Thermian leader Mathesar, whose sing-song voice is a comedic coup de grâce. --Jeff Shann! onFor four years, the courageous crew of the NSEA protecto! r - "Com mander Peter Quincy Taggart" (Tim Allen), "Lt. Tawny Madison (Sigourney Weaver) and "Dr.Lazarus" (Alan Rickman) - set off on a thrilling and often dangerous mission in space...and then their series was cancelled! Now, twenty years later, aliens under attack have mistaken the Galaxy Quest television transmissions for "historical documents" and beam up the crew of has-been actors to save the universe. With no script, no director and no clue, the actors must turn in the performances of their lives.You don't have to be a Star Trek fan to enjoy Galaxy Quest, but it certainly helps. A knowingly affectionate tribute to Trek and any other science fiction TV series of the 1960s and beyond, this crowd-pleasing comedy offers in-jokes at warp speed, hitting the bull's-eye for anyone who knows that (1) the starship captain always removes his shirt to display his manly physique; (2) any crew member not in the regular cast is dead meat; and (3) the heroes al! ways stop the doomsday clock with one second to spare. So it is with Commander Taggart (Tim Allen) and the stalwart crew of the NSEA Protector, whose intergalactic exploits on TV have now been reduced to a dreary cycle of fan conventions and promotional appearances. That's when the Thermians arrive, begging to be saved from Sarris, the reptilian villain who threatens to destroy their home planet.

Can actors rise to the challenge and play their roles for real? The Thermians are counting on it, having studied the "historical documents" of the Galaxy Quest TV show, and their hero worship (not to mention their taste for Monte Cristo sandwiches) is ultimately proven worthy, with the help of some Galaxy geeks on planet Earth. And while Galaxy Quest serves up great special effects and impressive Stan Winston creatures, director Dean Parisot (Home Fries) is never condescending, lending warm acceptance to this gentle send-up of sci-fi TV and th! e phenomenon of fandom. Best of all is the splendid cast, incl! uding Si gourney Weaver as buxom blonde Gwen DeMarco; Alan Rickman as frustrated thespian Alexander Dane; Tony Shalhoub as dimwit Fred Kwan; Daryl Mitchell as former child-star Tommy Webber; and Enrico Colantoni as Thermian leader Mathesar, whose sing-song voice is a comedic coup de grâce. --Jeff ShannonFor four years, the courageous crew of the NSEA Protector - "Commander Peter Quincy Taggart" (Tim Allen), "Lt. Tawny Madison" (Sigourney Weaver) and "Dr. Lazarus" (Alan Rickman) - set off on thrilling and often dangerous missions in space . . . and then their series was canceled!

Now, twenty years later, aliens under attack have mistaken the Galaxy Quest television transmissions for "historical documents" and beamed up the crew of has-been actors to save the universe. With no script, no director and no clue, the actors must turn in the performances of their lives in this hilarious adventure Jeffery Lyons (NBC-TV) calls "The funniest, wittiest comedy of the year."You! don't have to be a Star Trek fan to enjoy Galaxy Quest, but it certainly helps. A knowingly affectionate tribute to Trek and any other science fiction TV series of the 1960s and beyond, this crowd-pleasing comedy offers in-jokes at warp speed, hitting the bull's-eye for anyone who knows that (1) the starship captain always removes his shirt to display his manly physique; (2) any crew member not in the regular cast is dead meat; and (3) the heroes always stop the doomsday clock with one second to spare. So it is with Commander Taggart (Tim Allen) and the stalwart crew of the NSEA Protector, whose intergalactic exploits on TV have now been reduced to a dreary cycle of fan conventions and promotional appearances. That's when the Thermians arrive, begging to be saved from Sarris, the reptilian villain who threatens to destroy their home planet.

Can actors rise to the challenge and play their roles for real? The Thermians are counting on it, ! having studied the "historical documents" of the Galaxy Que! st T V show, and their hero worship (not to mention their taste for Monte Cristo sandwiches) is ultimately proven worthy, with the help of some Galaxy geeks on planet Earth. And while Galaxy Quest serves up great special effects and impressive Stan Winston creatures, director Dean Parisot (Home Fries) is never condescending, lending warm acceptance to this gentle send-up of sci-fi TV and the phenomenon of fandom. Best of all is the splendid cast, including Sigourney Weaver as buxom blonde Gwen DeMarco; Alan Rickman as frustrated thespian Alexander Dane; Tony Shalhoub as dimwit Fred Kwan; Daryl Mitchell as former child-star Tommy Webber; and Enrico Colantoni as Thermian leader Mathesar, whose sing-song voice is a comedic coup de grâce. --Jeff Shannon

Read more »

Holes

• ISBN13: 9780374332662
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

10th Anniversary Edition

 

Louis Sachar received great recognition for his groundbreaking story of Stanley Yelnats â€" a boy with a history of bad luck. As School Library Journal predicted in their starred review of the book when it was first published, “Kids will love Holes.” A decade later, the book is still quenching young readers’ thirst for a gripping story about a far-reaching family curse, friendship, adventure, endurance, and, finally, a generous helping of good karma.

 

Celebrate with this special 10th Anniversary Edition, which includes portraits of the author as a li! ttle brother (by his big brother), as a husband (by his wife), and as a father (by his daughter), along with photos and Louis Sachar’s 1999 Newbery acceptance speech. Vladimir Radunsky, who created the original iconoclastic cover illustration, has made new art from the familiar images. Wrapped in an acetate jacket, this edition is an appealing package that will be equally welcome in public, school, or home libraries.

 

Holes is a 1998 New York Times Book Review Notable Children's Book of the Year and the winner of the 1998 National Book Award for Young People's Literature, the 1999 Boston Globe - Horn Book Award for Fiction and the 1999 Newbery Medal.

"If you take a bad boy and make him dig a hole every day in the hot sun, it will turn him into a good boy." Such is the reigning philosophy at Camp Green Lake, a juvenile detention facility where there is no lake, ! and there are no happy campers. In place of what used to be "! the larg est lake in Texas" is now a dry, flat, sunburned wasteland, pocked with countless identical holes dug by boys improving their character. Stanley Yelnats, of palindromic name and ill-fated pedigree, has landed at Camp Green Lake because it seemed a better option than jail. No matter that his conviction was all a case of mistaken identity, the Yelnats family has become accustomed to a long history of bad luck, thanks to their "no-good-dirty-rotten-pig-stealing-great-great-grandfather!" Despite his innocence, Stanley is quickly enmeshed in the Camp Green Lake routine: rising before dawn to dig a hole five feet deep and five feet in diameter; learning how to get along with the Lord of the Flies-styled pack of boys in Group D; and fearing the warden, who paints her fingernails with rattlesnake venom. But when Stanley realizes that the boys may not just be digging to build character--that in fact the warden is seeking something specific--the plot gets as thick! as the irony.

It's a strange story, but strangely compelling and lovely too. Louis Sachar uses poker-faced understatement to create a bizarre but believable landscape--a place where Major Major Major Major of Catch-22 would feel right at home. But while there is humor and absurdity here, there is also a deep understanding of friendship and a searing compassion for society's underdogs. As Stanley unknowingly begins to fulfill his destiny--the dual plots coming together to reveal that fate has big plans in store--we can't help but cheer for the good guys, and all the Yelnats everywhere. (Ages 10 and older) --Brangien Davis

Read more »

Fled : Widescreen Edition

• Widescreen

Two dangerously mismatched convicts are thrown into a wild race to outwit, outrun and outgun vicious enemies on both sides of the law in this high-impact thriller bristling with high-speed adventure,mind-blowing stunts and nonstop action! After escaping from a prison chain gang, Piper (Laurence Fishburne) and Dodge (Stephen Baldwin) find themselves handcuffed togetherand at each others' throats! Relentlessly hunted through the Georgia wilderness, the reluctant allies fight their way into the underground of Atlanta, battling the authoritiesand each otherall the way. But when Dodge'sconnection to $25 million in stolen loot attracts mob assassins and corrupt government officials, the action is propelled into a deadly new dimension. With no place to hide, and everything to lose, Piper and Dodge embark on a blazing, take-no-prisoners quest to secure the key to their survival: a compute! r disk that could blow the lid off of a high-level scam.In the road-movie-reluctant-pals genre, Fled goes down a road well-taken and still manages to get lost. Defiant ones Piper (Laurence Fishburne) and Dodge (Stephen Baldwin) escape from their chain gang when a prison break/shootout begins. Evading rednecks and faceless policemen they make it to Atlanta where "smart-ass" Dodge (who delivers one-liners that do a disservice to smart-asses everywhere) has to recover a computer disk. They are aided and abetted by Cora (Salma Hayek--this time using a funny hat, instead of her breasts, for character development), who takes the convicts in as if she were picking up college buddies from the airport. Maybe she realizes what great guys these prison-garbed buffoons are. They donate money to charity. They save dying rednecks. They rescue little boys from oncoming cars. Unfortunately, they can't save any of Dodge's old associates, like his stripper-with-an-apartment-of-gold gir! lfriend or his fellow computer hacker, from getting shot up by! Cuban M afia thugs that want that disk! Laurence Fishburne is the main reason to see the film, but that's a stretch, and Stephen Baldwin seems nothing like the same searing actor seen in The Usual Suspects. --Keith Simanton In the road-movie-reluctant-pals genre, Fled goes down a road well-taken and still manages to get lost. Defiant ones Piper (Laurence Fishburne) and Dodge (Stephen Baldwin) escape from their chain gang when a prison break/shootout begins. Evading rednecks and faceless policemen they make it to Atlanta where "smart-ass" Dodge (who delivers one-liners that do a disservice to smart-asses everywhere) has to recover a computer disk. They are aided and abetted by Cora (Salma Hayek--this time using a funny hat, instead of her breasts, for character development), who takes the convicts in as if she were picking up college buddies from the airport. Maybe she realizes what great guys these prison-garbed buffoons are. They donate money to charity.! They save dying rednecks. They rescue little boys from oncoming cars. Unfortunately, they can't save any of Dodge's old associates, like his stripper-with-an-apartment-of-gold girlfriend or his fellow computer hacker, from getting shot up by Cuban Mafia thugs that want that disk! Laurence Fishburne is the main reason to see the film, but that's a stretch, and Stephen Baldwin seems nothing like the same searing actor seen in The Usual Suspects. --Keith Simanton DVD

Read more »

Cranford

• The BBC drama series adapted from Mary Gaskellsic novels of small town gossip, secrets and romance. 1842. Cranford, a market town in the North West of England, is a place governed by etiquette, custom and above all, an intricate network of ladies. It seems that life has always been conducted according to their social rules, but Cranford is on the cusp of change? For spinsters Deborah Jenkyns, the

Romantic Comedy. Alex (Luke Wilson) is an author whose writer's block and gambling debts have landed him in a jam. In order to get loan sharks off his back, he must finish his novel in 30 days or wind up dead. To help him complete his manuscript he hires stenographer Emma (Kate Hudson). As Alex begins to dictate his tale of a romantic love triangle to the charming yet somewhat opinionated stenographer, Emma challenges his ideas at every turn. Her unsolicited yet intriguing input begins to inadvertent! ly influence Alex and his story and soon real life begins to imitate art.For perhaps the first time in her career, Kate Hudson doesn't just imitate the twinkle of her mother, Goldie Hawn--and proves to be a winning romantic lead in her own right. Hudson plays Emma, a stenographer hired by a desperate writer named Alex (Luke Wilson, The Royal Tenenbaums, Legally Blonde), who has to finish a book in 30 days. Of course, a tentative romance blooms between them; but as Alex begins to interweave elements of his life into the love triangle of his novel--including a suspiciously Emma-esque character named Anna--Emma wonders if the novel's sexy other woman has a real-life counterpart as well. Though Alex & Emma suffers from some bland, formulaic elements, it also features flashes of engaging wit. Hudson dampens her gleam, but because she's not working so hard to be adorable, a relaxed and more unique charm comes forth. --Bret FetzerRomantic Comedy. Alex (! Luke Wilson) is an author whose writer's block and gambling de! bts have landed him in a jam. In order to get loan sharks off his back, he must finish his novel in 30 days or wind up dead. To help him complete his manuscript he hires stenographer Emma (Kate Hudson). As Alex begins to dictate his tale of a romantic love triangle to the charming yet somewhat opinionated stenographer, Emma challenges his ideas at every turn. Her unsolicited yet intriguing input begins to inadvertently influence Alex and his story and soon real life begins to imitate art.For perhaps the first time in her career, Kate Hudson doesn't just imitate the twinkle of her mother, Goldie Hawn--and proves to be a winning romantic lead in her own right. Hudson plays Emma, a stenographer hired by a desperate writer named Alex (Luke Wilson, The Royal Tenenbaums, Legally Blonde), who has to finish a book in 30 days. Of course, a tentative romance blooms between them; but as Alex begins to interweave elements of his life into the love triangle of his novel--including ! a suspiciously Emma-esque character named Anna--Emma wonders if the novel's sexy other woman has a real-life counterpart as well. Though Alex & Emma suffers from some bland, formulaic elements, it also features flashes of engaging wit. Hudson dampens her gleam, but because she's not working so hard to be adorable, a relaxed and more unique charm comes forth. --Bret FetzerRomantic Comedy. Alex (Luke Wilson) is an author whose writer's block and gambling debts have landed him in a jam. In order to get loan sharks off his back, he must finish his novel in 30 days or wind up dead. To help him complete his manuscript he hires stenographer Emma (Kate Hudson). As Alex begins to dictate his tale of a romantic love triangle to the charming yet somewhat opinionated stenographer, Emma challenges his ideas at every turn. Her unsolicited yet intriguing input begins to inadvertently influence Alex and his story and soon real life begins to imitate art.For perhaps the f! irst time in her career, Kate Hudson doesn't just imitate the ! twinkle of her mother, Goldie Hawn--and proves to be a winning romantic lead in her own right. Hudson plays Emma, a stenographer hired by a desperate writer named Alex (Luke Wilson, The Royal Tenenbaums, Legally Blonde), who has to finish a book in 30 days. Of course, a tentative romance blooms between them; but as Alex begins to interweave elements of his life into the love triangle of his novel--including a suspiciously Emma-esque character named Anna--Emma wonders if the novel's sexy other woman has a real-life counterpart as well. Though Alex & Emma suffers from some bland, formulaic elements, it also features flashes of engaging wit. Hudson dampens her gleam, but because she's not working so hard to be adorable, a relaxed and more unique charm comes forth. --Bret FetzerThe BBC drama series adapted from Elizabeth Gaskell's classic novels of small town gossip, secrets and romance. 1842. Cranford, a market town in the North West of England, is a place g! overned by etiquette, custom and above all, an intricate network of ladies. It seems that life has always been conducted according to their social rules, but Cranford is on the cusp of change… For spinsters Deborah Jenkyns, the arbiter of correctness in Cranford, and Matty, her demurring sister, the town is a hub of intrigue - a handsome new doctor Frank Harrison from London has arrived; a retired Captain and his daughters have moved in to a house opposite and the preparations for Lady Ludlows garden party are underway. Everyone - from charming rogue Dr Marshland to mean Mrs Jamieson and her lap dog talks, and is talked about, behind closed doors. The town also has its secrets which it slowly reveals: Mattys encounter with an old flame at the garden party; Lady Ludlows gardener, Mr Carter, teaching a gypsy lad to read and write; the wild expectations of the May Day celebrations and - news that shakes the town when it is revealed - a railway line from Manchester is coming ! to Cranford.Adapted from Elizabeth Gaskell's novels, the five-! episode miniseries Cranford focuses on female characters in the 19th-century British town to thematically contemplate encroaching modernity in rural England. With the camera roving house to house, each drama within the grander story is constructed of scenes featuring dialogue between several gossipy ladies obsessed with moral code, romantic ideas about courtship, and social occasions. Three main characters, the ever-appropriate Deborah Jenkyns (Eileen Atkins), her sweet sister, Matilda (Judi Dench), and their younger, more savvy relative, Miss Smith (Lisa Dillon), continuously weigh in on situations, providing a dependable view when other ladies, like the nosey Miss Pole (Imelda Staunton) are too judgmental. In fine period dress, the women of Cranford remind the viewer of how little action was needed in their small-town lives to provide unceasing entertainment. The series'most intriguing aspect lies not in the ample female conversation but rather in its display of earl! ier technologies and ways of life. Part One, for example, quickly launches a main narrative thread that runs throughout the series, namely the arrival and assimilation of London doctor, Frank Harrison (Simon Woods), into village society. Dr. Harrison's medical practices, such as his refusal to amputate a man's arm because it's broken, are all the more radical because they are so fundamental by today's standards. In subsequent episodes, he recommends Miss Smith get spectacles to cure her headaches, and saves his love's life by cooling her fever after conservative doctor, Dr. Morgan (John Bowe), recommends the old school practice of burying her in blankets in front of a raging fire. In Part Two, Lady Ludlow (Francesca Annis) throws a garden party at her estate, treating all the women in their fancy hats to a new novelty: ice cream. This scene foreshadows Ludlow's future concern at a railroad plan involving her land that would connect Cranford to Manchester, symbolizing the ru! in of this idyllic setting.

In fact, fluffy and clever as s! ome scen es are, death and rebirth assert themselves in each showing, both physically and idealistically. Part Four shows an auctioning off of a deceased man's antiques, and focuses on issues of class and women's education, as Mr. Carter teaches a peasant boy to read while his assistant fumes at her trappings as a seamstress. Part Five ushers in a new period of medical emergencies, securing Dr. Harrison's shaky position in town. In total, Cranford offers a powerful, if sentimental, look at how death begets life, love, and passion. --Trinie Dalton

Read more »

James Jeans Women's High Class Skinny Jean, Luna White, 24

• Extra high rise
• Stretch

Skinny legging

Read more »

Flight of the Red Balloon

• Inspired by Albert Lamorisse'sic 1956 Academy Award®-Winning short*, Flight of the Red Balloon is the latest masterwork from director Hou Hsiao Hsien (Three Times, Millennium Mambo). Expanding on the key elements of Lamorisse's short - a young boy, a red balloon and Paris - Hou weaves the tale of a boy, Simon (Simon Iteanu) dealing with the increased fragility of his loving yet preocc

One of the most famous short films ever made, The Red Balloon is a childhood fantasy with appeal for viewers of every age. It is the story of Pascal, a lonely French boy who befriends a wondrous red balloon which follows him everywhere--to school and church--and even hovers outside his window when he is in his room. Filmed entirely in the picturesque back streets and narrow alleys of Old Montmartre, the film has been acclaimed through the world as an immortal masterpiece of lyrical poetry. The Red ! Balloon is both a beguiling fantasy and a touching allegory on the magic powers of love and friendship. The late French filmmaker Albert Lamorisse made this classic, 1956 short work about a lonely little Parisian boy (Pascal Lamorisse) befriended by a large red balloon, which seems to have a will of its own. As with his preceding short, 1952's White Mane, Lamorisse took home a grand prize from the Cannes Film Festival for The Red Balloon, and the latter film also won an Academy Award. There have been some stimulating pieces of film criticism (some pro, some con) written about the aesthetics of this little movie over the years, but there's no question it makes for a touching, allegorical piece always certain to prompt conversations among viewers of any age. --Tom Keogh Inspired by Albert Lamorisse's classic 1956 Academy Award®-Winning short*, Flight of the Red Balloon is the latest masterwork from director Hou Hsiao Hsien (Three Times, Millennium Ma! mbo). Expanding on the key elements of Lamorisse's short - a y! oung boy , a red balloon and Paris - Hou weaves the tale of a boy, Simon (Simon Iteanu) dealing with the increased fragility of his loving yet preoccupied mother, Suzanne (Academy Award® - Winner Juliette Binoche** of The English Patient, Caché). When a Taiwanese film student, Song (Fang Song), is hired to help care for Simon, a unique extended family is formed - utterly dependent on each other yet lost in separate dreams mirrored by a delicate, shiny red balloon.

Read more »

Color Changing Everlasting Tealights Candles with 7 Rainbow Colors- Set of 12

• Each Light is flame shaped and changes through seven different colors
• Set of 12 Candles
• Tealight candles are 2" tall and 1.5" diameter
• Flameless candles are safe to use around children, pets and decorations
• Long-lasting lithium battery is included

Swedish master Jan Troell (The Emigrants, The New Land) returns triumphantly with EVERLASTING MOMENTS, a vivid, heartrending story of a woman liberated through art at the beginning of the twentieth century. Though poor and abused by her alcoholic husband, Maria Larsson (Maria Heiskanen, in a beautifully nuanced portrayal) finds an outlet in photography, which opens up her world for the first time. With a burnished bronze tint that evokes faded photographs, and a broad empathetic palette, EVERLASTING MOMENTS--based on a true story--is a miraculous tribute to the power of image making.Fitting for a movie about a woman w! ho finds a new life through photography, Everlasting Moments features stunning images: A streetcar looming out of a wall of fog; the shadow of a zeppelin gliding across a courtyard; a family bouncing around a bedroom, all wearing Charlie Chaplin mustaches. This rich, emotionally powerful film begins in 1907 in a Swedish port, where Maria Larsson (Maria Heiskanen) struggles to raise her four children with little help from her boozing, womanizing husband Sigfrid (Mikael Persbrandt). By accident, she rediscovers a camera that she'd won in a lottery; through its lens she reinvents her confined, unhappy world as a place of warmth, hope, and spiritual transcendence--and begins a furtive, yearning romance with an older photographer who gives her supplies from his studio. Everlasting Moments covers decades of Maria's life, capturing not only her character but the character of the times in which she lived--an era of social unrest, world war, and personal upheaval. Yet despite this d! ense story, the movie feels relaxed and unfolds with the easy ! command of writer/director Jan Troell, whose films have won dozens of awards around the world, though he is little-known in the U.S. With any luck, Everlasting Moments will bring him some much-due recognition. --Bret FetzerSwedish master Jan Troell (The Emigrants, The New Land) returns triumphantly with EVERLASTING MOMENTS, a vivid, heartrending story of a woman liberated through art at the beginning of the twentieth century. Though poor and abused by her alcoholic husband, Maria Larsson (Maria Heiskanen, in a beautifully nuanced portrayal) finds an outlet in photography, which opens up her world for the first time. With a burnished bronze tint that evokes faded photographs, and a broad empathetic palette, EVERLASTING MOMENTS--based on a true story--is a miraculous tribute to the power of image making.Fitting for a movie about a woman who finds a new life through photography, Everlasting Moments features stunning images: A streetcar looming out of a wall of fog; the shadow of a zepp! elin gliding across a courtyard; a family bouncing around a bedroom, all wearing Charlie Chaplin mustaches. This rich, emotionally powerful film begins in 1907 in a Swedish port, where Maria Larsson (Maria Heiskanen) struggles to raise her four children with little help from her boozing, womanizing husband Sigfrid (Mikael Persbrandt). By accident, she rediscovers a camera that she'd won in a lottery; through its lens she reinvents her confined, unhappy world as a place of warmth, hope, and spiritual transcendence--and begins a furtive, yearning romance with an older photographer who gives her supplies from his studio. Everlasting Moments covers decades of Maria's life, capturing not only her character but the character of the times in which she lived--an era of social unrest, world war, and personal upheaval. Yet despite this dense story, the movie feels relaxed and unfolds with the easy command of writer/director Jan Troell, whose films have won dozens of awards around the! world, though he is little-known in the U.S. With any luck, E! verlasti ng Moments will bring him some much-due recognition. --Bret Fetzerblockbuster exclusiveUnited Kingdom released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: Swedish ( Dolby Digital 5.1 ), English ( Subtitles ), WIDESCREEN (1.85:1), SPECIAL FEATURES: Anamorphic Widescreen, Behind the scenes, Interactive Menu, Photo Gallery, Scene Access, Trailer(s), SYNOPSIS: In a series of remarkable events inspired by a true story, Maria Heiskanen stars as Maria Larsson, a Finnish mother and housewife who devotes all of her attention, care, and consideration to the well-being of her family -- but, like many homemakers, does so at the expense of her own identity and self-awareness. Not that her dockworker husband, Sigge (Mikael Persbrandt), particularly deserves such consideration; a brutish, alcoholic lout, his evenings consist of making life hell for Maria and their daughter with tyrannical, abu! sive behaviour. Then, as the dockworkers go on strike and the family's economic situation plummets, a ray of hope appears, in the form of a Contessa camera won in a local lottery. Unsurprisingly, Maria at first attempts to pawn it to reel in extra monies, but store owner Sebastian Pedersen convinces her otherwise; he teaches her how to use it, and she begins taking gorgeous, haunting photographs with the unaffected, instinctive perceptions of a young child. As the woman's self-discovery builds and her identity takes on form and definition, Sebastian unofficially takes her on as a protégée and quietly witnesses romantic feelings for her building inside of him. Meanwhile, Sigge's life falls to pieces when the authorities connect him with the catastrophic explosion of a British vessel. Maria's daughter, Maja (Callin Ohrvall), narrates. SCREENED/AWARDED AT: Golden Globes, ...Everlasting Moments ( Maria Larssons eviga ögonblick ) ( Die ewigen Augenblicke der Maria Larsson )En! joy the experience of the Fountain of Angels show again and ag! ain, fea turing music by members of the London Studio Orchestra and others. Twice daily, the Fountain of Angels erupts into life. In the center of its own 10-story theater, the multilayered fountain blasts water over 120 4-foot bronze statues of bare-bottomed cherubs, cheerful-looking fish and water-spouting ducks. As the music soars _ a recorded chorus of Christian music (example: "In the Garden") performed by members of the London Philharmonic _ the fountain bursts into a Vegas-style light and water show. In one, "The Everlasting Promise," a booming voice narrates tales of GenesisSet of twelve color changing flameless LED Tealights. Flame shaped light cycles through 7 colors. One click on/off switch and long-lasting lithium batteries yield over 120 hours of continuous use. Sized to fit in all votive applications or surrounded by decorations and designs. Perfect for wedding, parties and BBQ.

Read more »

Purging Your House, Pruning Your Family Tree: How to rid your home and family of demonic influence and generational oppression

• ISBN13: 9781616381868
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Do the following questions express what you have feltâ€"or askedâ€"in the past?

• Does a weeping willow describe your family tree?
• Do you secretly wish you had been born to a different family?
• Did you pick up some bad DNA from someone in your lineage?
• Would you like to put on a new set of genes and make a new you? 
• Is there a warfare ! going on that you won’t talk about?
• What are the keys to a happy home and marriage?

 

If so, keep reading! There are two important ways for you to alter your present personal situations and prepare for a great emotional and spiritual futureâ€"by purging your house and pruning your family tree. Purging your house involves removing spiritual, emotional, and mental hindrances from three houses: spiritual, physical, and emotional. The author teaches readers the 3-step process of removing the leprosy (laying aside the weights or sins), rebuilding a fresh foundation (replacing old thoughts with new thoughts), and restoring the house (new friends, relations, directions). Pruning your family tree involves a process called redemptive alteration, which positively impacts your future when the Word of God defeats the sin habits and overcomes the carnal nature through regeneration. The ! author reveals the dangers that can harm or destroy our family! are the same dangers that destroy nature’s treesâ€"storms that place pressure on the branches, drought the destroys the leaves, cold weather that destroys the fruit, and floods that uproot the entire tree.  He teaches us how to evict the enemy by quoting Scripture, experiencing the anointing, rebuking the devil, and having strong faith.

Read more »