The Burning Plain

• BURNING PLAIN, THE (DVD MOVIE)

Academy Award® winners Charlize Theron and Kim Basinger star in this romantic mystery about hope, redemption and second chances. Sylvia (Theron) is a woman on the edge whose cool, professional demeanor masks a deeply troubled, sexually charged storm within. When a stranger from Mexico confronts her with her mysterious past, she is launched into an emotional journey back to the defining moment of her life. Gina (Basinger) is a housewife trapped in a loveless marriage who finds solace and passion in an illicit affair. Though separated by time and great distances, these women find their lives linked by the forces of love and fate.A painful secret separates a mother and daughter in The Burning Plain, the feature directorial debut by the screenwriter of Babel, 21 Grams, and Amores Perros. The story moves fluidly in time: In the present, S! ylvia (Charlize Theron) seems to be leading a confident life as the manager of an expensive restaurant, but it’s a mask covering promiscuity, self-mutilation, and suicidal impulses. Many years earlier, a young girl named Mariana (Jennifer Lawrence, The Bill Engvall Show) tries to piece together what led her mother (Kim Basinger) into an extramarital affair...even as Mariana herself falls into a dangerous relationship with the son of her mother’s lover. These threads and more are interwoven into an increasingly potent knot. The Burning Plain has some obvious dialogue and a few off-key notes, but despite that is a striking first effort by Guillermo Arriaga. Theron has always been best in roles that draw on anger and pain, like her astonishing performance in Monster; she goes bland when called on to portray nobility and happiness, but give her inner demons and her remarkable beauty roils with hidden emotions. The rest of the supporting cast--including ! John Corbett and Robin Tunney in small roles--turn in strong w! ork. Lik e a boa constrictor, the movie slowly coils around you, then squeezes. --Bret Fetzer

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Envy Girls - Workouts for the Spots That Really Count

• From the producers of Carmen Electra's Aerobic Striptease
• Envy Girls 4-Disc Set: Starring Eliana, Natasha, Vala and Yvette
• Format: Closed-captioned, Color, DVD, NTSC
• Aspect Ratio: 1.33:1; Number of discs: 4; Studio: Lions Gate
• DVD Release Date: May 1, 2007; Run Time: 128 minutes

All four of Carmen Electra's sexy Aerobic striptease DVD's together in a collectable box set! Includes the original "Aerobic Striptease," "Fit To Strip", "Advanced Aerobic Striptease," and "The Lap Dance & Hip Hop."With popular dance and fitness techniques, this low-impact workout conditions and strengthens the body using moves targeted specifically to tone the hips, thighs, buns and abs. Join Carmen from the comfort of your home as she helps you look good, tone up and feel more confident!With several mini-workouts targeted at the hips, buns and abs, FIT TO STRIP whips the body in! to shape and helps individuals achieve the confidence to strip their way to a better body!Get ready for the legendary Lap Dance. This is a step-by-step guide to the sexiest routine around that introduces even more technical moves to your repertoire, so you can tighten and tone while you’re turning someone on. The Lap Dance is sure to make you look good, feel great, and spice up your personal life! In Hip-Hop, Carmen boosts the aerobic intensity through the roof with a routine that’s one of her personal favorites! Carmen combines the sexy confidence of hip-hop dance with some incredible moves that’ll help you tone your way to a dancer’s body!Carmen’s back and bringing total body fitness to the sexiest room in the house in Carmen Electra’s Aerobic Striptease: In the Bedroom. A follow-up to her top selling fitness series, In the Bedroom combines body-sculpting dance moves with sultry stretches and toning exercises you can perform on or around your own bed.In Advan! ced Aerobic Striptease Carmen takes striptease to the next lev! el, intr oducing more sexy, technical moves. Disc 3 in this hip aerobic series takes what you learned from discs 1 and 2, and turns it into two, fantastic role-play routines that are sure to get a response!Aerobic Striptease comes to the city that is famous for its "Strip" â€" in more ways than one â€" in Carmen’s Electra’s Aerobic Striptease: Vegas Strip. Combining hip, easy-to-perform, dance moves, burlesque and, of course, striptease, Carmen works you through an energetic routine that focuses on strengthening your body and building your confidence.While Volume One in Carmen Electra's Aerobic Striptease series featured Electra working out in front of a bed, Vegas Strip offers a more public venue, Studio 54, as her instructional setting. Since this segment is filmed at a legendary dance club, it makes sense that this workout session is constructed of choreographed dance moves, that one can either use on the dance floor or keep under wraps at home. Vegas Strip's! half-hour session will provide good cardiovascular exercise, depending on what one puts into it, though it mostly improves grace and coordination, in easy-to-learn segments set to pulsating dance music. This is equally valuable since the premise of this series is to feel sexy and have fun while working out. Though it does appear to be more of a lesson in choreography, Vegas Strip clearly demonstrates the challenge implicit to such sexed-up dance moves, and may give those who shun dirty dancing a respect for the real professionals. â€"Trinie Dalton

Everyone has what it takes to be sexy. Let go of those inhibitions and insecurities and allow Carmen Electra take you from ho-hum to hot.

Millions have experienced Carmen Electra’s vivacious charm and drop-dead sex appeal from afar--from her roles on Baywatch and MTV’s Singled Out,  to her dozens of movie and television appearances, to her wildly popular Aerobic Striptease vide! os.  Now, in How to Be Sexy, she shows you that even i! f you we ren’t born with an alluring aura (or killer curves), you can learn how to be super sexy.  

Carmen explains that sexiness starts with confidence, personality, and a willingness to laugh at yourself, so your inner glow will radiate outward and make the world sit up and take notice. Then she reveals the tricks of the trade for upgrading your appearance, with step-by-step instructions for hair styling and makeup application, and choosing fashion that flatters â€" including tips and techniques from some of the most talented stylists, makeup artists, and coaches in Hollywood.  Finally, she shows you how to strut your stuff with chapters on body language and the lost art of seduction. 

~~~All orders are processed within 24 hours and shipped USPS from Florida.,,,,We Ship your item in a Prompt and Courteous Manner knowing you are eagerly waiting for your purchase to arrive Quickly and in the condition it was described in,thank you for your business and I hope to! do more business with you in the future,Joanne.Meet Eliana, Natasha, Vala and Yvette, the girls of ENVY. This fitness superteam delivers a hot new style of simple workouts designed to target-tone the parts that really count. In no time, you'll achieve slender abs, perfect buns, sexy legs, and lean sleek arms. It's never been so easy to lose weight and look great. From the producers of Carmen Electra's Aerobic Striptease, this brand-new 4-disc collection promises to make you the envy of others. Each workout includes an easy Warm-Up, a 5-minute Quick Fix for body maintenance on the run, and a 20-minute Primary Workout that shapes and slims for a stunning physique. This set includes: ABS OF ENVY, BUNS OF ENVY, LEGS OF ENVY and ARMS OF ENVY.
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The Positively True Adventures of the Alleged Texas Cheerleader-Murdering Mom

• Wanda and Verna both want their daughters to join the high school cheerleading team. Since Verna's child seems more likely to win, Wanda plans to distract the child by murdering Verna! Based on a true story.Running Time: 99 min. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R Age: 026359087523 UPC: 026359087523 Manufacturer No: 90875

ALWAYS - DVD MovieConsidered by many to represent a low point in Steven Spielberg's career, 1990's Always did suggest something of a temporary drift in the director's sensibility. A remake of the classic Spencer Tracy film A Guy Named Joe, Always stars Richard Dreyfuss as a Forest Service pilot who takes great risks with his own life to douse wildfires from a plane. After promising his frightened fiancée (Holly Hunter) to keep his feet on the ground and go into teaching, Dreyfuss's character is killed during one last flight.! But his spirit wanders restlessly, hopelessly attached to and possessive of Hunter, who can't see or hear him. Then the real conflict begins: a trainee pilot (Brad Johnson), a likable doofus, begins wooing a not-unappreciative Hunter--and it becomes Dreyfuss's heavenly mandate to accept, and even assist in, their budding romance. The trouble with the film is a certain airlessness, a hyper-inventiveness in every scene and sequence that screams of Spielberg's self-education in Hollywood classicism. Unlike the masters he is constantly quoting and emulating in Always, he forgets to back off and let the movie breathe on its own sometimes, which would better serve his clockwork orchestration of suspense and comedy elsewhere. Still, there are lovely passages in this film, such as the unforgettable look on Dreyfuss's face a half-second before fate claims him. John Goodman contributes good supporting work, and Audrey Hepburn makes her final screen appearance as an! angel. --Tom KeoghCarnelle isn't happy with her life, ! so in or der to improve herself she enters a local beauty contest, trying to emulate her cousin Elain's win many years ago. Few think she can win, even her closest friends and relatives (e.g. slightly mad cousin Delmount) think she's heading for a big disappointment, but Carnelle is ever hopeful, seeing a win as a ticket to escape her small town in Mississippi.Considered by many to represent a low point in Steven Spielberg's career, 1990's Always did suggest something of a temporary drift in the director's sensibility. A remake of the classic Spencer Tracy film A Guy Named Joe, Always stars Richard Dreyfuss as a Forest Service pilot who takes great risks with his own life to douse wildfires from a plane. After promising his frightened fiancée (Holly Hunter) to keep his feet on the ground and go into teaching, Dreyfuss's character is killed during one last flight. But his spirit wanders restlessly, hopelessly attached to and possessive of Hunter, who can! 't see or hear him. Then the real conflict begins: a trainee pilot (Brad Johnson), a likable doofus, begins wooing a not-unappreciative Hunter--and it becomes Dreyfuss's heavenly mandate to accept, and even assist in, their budding romance. The trouble with the film is a certain airlessness, a hyper-inventiveness in every scene and sequence that screams of Spielberg's self-education in Hollywood classicism. Unlike the masters he is constantly quoting and emulating in Always, he forgets to back off and let the movie breathe on its own sometimes, which would better serve his clockwork orchestration of suspense and comedy elsewhere. Still, there are lovely passages in this film, such as the unforgettable look on Dreyfuss's face a half-second before fate claims him. John Goodman contributes good supporting work, and Audrey Hepburn makes her final screen appearance as an angel. --Tom KeoghOn the fourth thursday in november 84 million american families wil! l gather together.. And wonder why. Studio: Tcfhe/mgm Releas! e Date: 10/17/2006 Starring: Holly Hunter Steve Guttenberg Run time: 103 minutes Rating: Pg13 Director: Jodie FosterHolly Hunter plays a Chicago-based single mom who--on the day before Thanksgiving--loses her job and is informed by her daughter of the latter's intention to surrender her virginity while on a weekend-long affair. If that's not enough, Hunter's character then has to fly to Baltimore to join her fractious family for another difficult Thanksgiving. Robert Downey Jr. is terrifically charming as her prankish, gay brother, and Anne Bancroft and Charles Durning show plenty of comic resilience during the predictably interesting Thanksgiving dinner scene. The script by W.D. Richter (Brubaker) avoids the usual clichés in family dramas--the deepest, darkest secret revealed here involves the painfully sweet revelation of a 40-year-old crush. Jodie Foster, directing her second feature, focuses instead on the inevitable softening of old grudges and disappointments with ! time. This is a wise as well as wonderfully fun movie. --Tom Keogh Richard Dreyfuss and Holly Hunter lead an all-star cast in this critically acclaimed tale of life, love and chance. Jilted by her boyfriend, Renata (Hunter), the oldest daughter of a close-knit Italian-American family, falls in love with Sam (Dreyfuss), an abrasive and forcefully charming businessman. But neither her spirited sister (Laura San Giacomo), her down-to-earth father (Danny Aiello), or her supportive mother (Gena Rowlands) can tolerate Sam's often obnoxious intrusion into their family circle. Aggressive and overwhelmingly generous, Sam proceeds - with only the best intentions - to disrupt and nearly demolish Renata's family. Love, humor and forgiveness go once more around as the Bellas try to balance Renata's happiness with their family's survival in this funny and often touching story, directed by Lasse Hallstrom.SAVING GRACE:SEASON 1 - DVD MovieThere are very few television shows that rev! olve around a single figure to the extent that Saving Grace! doe s. Then again, there are even fewer that can boast an actor as good as Oscar winner Holly Hunter in the lead role, and Hunter draws on her considerable chops and charms to bring to life a character who, while certainly sympathetic, isn’t always especially likable. Her Grace Hanadarko, a detective working for the Oklahoma City Police Department’s Major Crimes division, is a mess. We’re barely into the pilot episode (the first of thirteen comprising the show’s first season) before we discover that her married partner is just one of Grace’s many bedmates (promiscuous is one way to describe her; slut is another), and that she’s a heavy smoker and drinker and a foul-mouthed, habitual liar. And that’s on her good days. There are reasons for all of this, of course--turns out that the death of her sister in the 1995 terrorist bombing that claimed 168 lives is just one of them--but it’s only when Grace commits a particularly stupid and reckless act that the potential ! for redemption appears in the form of Earl (Leon Rippy), a tobacco-chewing good ol’ boy who just happens to be an angel. A "last chance angel," to be exact, who suggests that if Grace will simply turn herself over to God, good things will ensue.

It won’t be easy. Despite Earl’s good-natured appeals (along with an occasional spectacular display of God’s awesome powers), Grace is nigh on incorrigible. And while each episode features a crime of some sort, ranging from murder and child abduction to the theft of a million-dollar statue of a steer, creator-writer Nancy Miller (who was an executive producer for The Closer, another TNT series with a strong female lead) focuses much more on Grace’s ongoing struggle to accept Earl’s presence ("Why me?" she asks. "I don’t know," comes the reply) and do something to clean up her life. The show’s bluesy, authentic music (including Everlast’s title tune), dry sense of humor, and sexy tone (Hunter, looking ve! ry buff, is nearly nude on numerous occasions) are all positiv! e elemen ts; so’s the supporting cast, especially Rippy and Laura San Giacomo (as a police examiner who’s Grace’s best pal). But Saving Grace is all about Holly Hunter, and by and large that’s a very good thing. Bonus features include audio commentary by Miller and others on two episodes and several short featurettes. --Sam GrahamThe original title of Living Out Loud was The Kiss, which also happens to be the title of one of the two Anton Chekhov stories the movie is loosely based on. (For those Russian lit mavens out there, the other story is "Misery.") The actual kiss in Living Out Loud is a somewhat mysterious affair: newly single Judith (Holly Hunter) suddenly finds herself laying a wet 'n' sloppy one on a total stranger (Elias Koteas, Hunter's Crash costar) in the back room of a cool jazz club, and then parting ways with the man. For good. Like so much of this exceptionally smart, generous movie, no explanation is given--or nec! essary. Screenwriter Richard LaGravenese (The Fisher King), making his directing debut, charts Judith's struggles in the wake of being dumped by her doctor husband (Martin Donovan). It turns out life has its ups and downs, some of which come courtesy of the elevator operator (Danny DeVito) in her swanky Upper East Side apartment building. DeVito's character is a nice guy in need of a little human touch, and the actor soft-pedals his usual sleaze in favor of a warm, directly emotional approach. It's the kind of turn that garners Oscar nominations, except that this movie didn't attract the box office it deserved. His performance, like the film, keeps surprising you--a fantasy sequence here, an ensemble dance there, plus a couple of smoky jazz tunes contributed by Queen Latifah. This unpredictable movie has the kiss of class. --Robert HortonJane Campion's "The Piano" struck a deep chord (if you'll excuse the expression) with audiences in 1993, who were mesmerized! by the film's rich, dreamlike imagery. It is the story of a S! cottish woman named Ada (Holly Hunter), who has been mute since age 6 because she simply chose not to speak. Ada travels with her daughter Flora (Anna Paquin) and her beloved piano to a remote spot on the coast of New Zealand for an arranged marriage to a farmer (Sam Neill). She gives piano lessons to a gruff neighbor (Harvey Keitel) who has Maori tattoos on his face, and, well, things develop from there. The picture takes on a powerful dream logic that simply defies synopsis. It's a breathtakingly beautiful and original achievement from Campion, a unique stylist. "The Piano" won the Palme d'Or at the Cannes Film Festival and Oscars for Hunt, Paquin, and Campion's screenplay. "--Jim Emerson"Jane Campion's The Piano struck a deep chord (if you'll excuse the expression) with audiences in 1993, who were mesmerized by the film's rich, dreamlike imagery. It is the story of a Scottish woman named Ada (Holly Hunter), who has been mute since age 6 because she simply chose not to s! peak. Ada travels with her daughter Flora (Anna Paquin) and her beloved piano to a remote spot on the coast of New Zealand for an arranged marriage to a farmer (Sam Neill). She gives piano lessons to a gruff neighbor (Harvey Keitel) who has Maori tattoos on his face, and, well, things develop from there. The picture takes on a powerful dream logic that simply defies synopsis. It's a breathtakingly beautiful and original achievement from Campion, a unique stylist. The Piano won the Palme d'Or at the Cannes Film Festival and Oscars for Hunt, Paquin, and Campion's screenplay. --Jim Emerson Jane Campion's The Piano struck a deep chord (if you'll excuse the expression) with audiences in 1993, who were mesmerized by the film's rich, dreamlike imagery. It is the story of a Scottish woman named Ada (Holly Hunter), who has been mute since age 6 because she simply chose not to speak. Ada travels with her daughter Flora (Anna Paquin) and her beloved piano to a ! remote spot on the coast of New Zealand for an arranged marria! ge to a farmer (Sam Neill). She gives piano lessons to a gruff neighbor (Harvey Keitel) who has Maori tattoos on his face, and, well, things develop from there. The picture takes on a powerful dream logic that simply defies synopsis. It's a breathtakingly beautiful and original achievement from Campion, a unique stylist. The Piano won the Palme d'Or at the Cannes Film Festival and Oscars for Hunt, Paquin, and Campion's screenplay. --Jim EmersonPOSITIVELY TRUE ADVENTURES OF THE ALL - DVD MovieDirected by Michael Ritchie (The Candidate) with an eye toward his terrific 1970s legacy of social and political satires, this 1993 HBO comedy stars Holly Hunter as the real-life Texas woman who solicited a killer to aid her daughter's dream of becoming a high school cheerleader. Hunter is remarkable in the lead, somehow both scary and sympathetic. But it is Ritchie who gets to the heart of the matter in the aftermath of the murder, when there is a mad scramble by the media ! and Hollywood to package the absurdist atrocity for their own ends. One of the director's more biting studies of the shadow side of ritual Americana, this is not for anyone looking for a bull docudrama. --Tom Keogh

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Daisy Fuentes Style Pro Voluminous Curls & Waves Shampoo 10 fl oz (295 ml)

• Protects Strands From Thermal Damage

Zero Sulfates & Parabens
Color Safe
Voluptuous, Bouncy, S

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Sports Illustrated Swimsuit 2003 / 2004 (2 Pack)

• Includes behind the scenes footage, and features anna Kournikova and Serena Williams. Primary contributor is Kathy Ireland who does not appear in either DVD.

HBO special showcasing the pulchritudinal talents of that year's most popular supermodels and up-and-comers, wearing little more than dental floss and a smile.

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JOANNE GUEST 16X20 COLOR PHOTO

• Description: High Quality real photograph printed on Fuji Paper.
• Size: 16X20 inches

This digital document is an article from Journal of Neuroscience Nursing, published by American Association of Neuroscience Nurses on August 1, 2011. The length of the article is 643 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available immediately after purchase. You can view it with any web browser.

Citation Details
Title: Nursing's unprecedented opportunity and the courage to lead.(Guest Editorial)
Author: Joanne V. Hickey
Publication: Journal of Neuroscience Nursing (Magazine/Journal)
Date: August 1, 2011
Publisher: American Association of Neuroscience Nurses
Volume: 43 Issue: 4 Page: 185(1)

Distributed by Gale, a part of Cengage LearningJoanne Guest/Kate Price Jordan Penthouse International magazine Vol. 1, No. 2. Magazine features a Jordan cover & poster along with a pictorial on Joanne Guest, Zdenka & Devon. Magazine will be shipped in protective bag & board.At Moviestore we have an incredible library of celebrity photography covering movies, TV, music, sport and celebrity. Our exclusive photographs are professionally produced by our in-house team; we perfect bright vibrant colors or wonderful black and white tones for our photographic prints that you can display in your home or office with pride. All our images are produced from genuine original negatives and slides held in our vast library. We have been in business for 16 years so you can buy with confidence. Our guarantee: if you are not fully satisfied with any print from Moviestore we will gladly refund your money!

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Hachiko: A Dog's Story Poster Movie Japanese B 11x17 Richard Gere Sarah Roemer Joan Allen

• Approx. Size: 11 x 17 Inches - 28cm x 44cm
• Size is provided by the manufacturer and may not be exact
• The Amazon image in this listing is a digital scan of the poster that you will receive
• Hachiko: A Dog's Story 11 x 17 Inches Japanese Style B Mini Poster
• Packaged with care and shipped in sturdy reinforced packing material

When the truth becomes a weapon, power comes at a stunning price. Gary Oldman, Joan Allen, Jeff Bridges and Christian Slater deliver electrifying performances in this controversial, suspenseful and critically-acclaimed thriller that Ebert & Roeper and the Movies call "exciting and unusually intelligent, two very enthusiastic thumbs up!" Sometimes you can assassinate a leader without firing a shot.Depending on your perspective, The Contender can be praised and damned for the same reasons. A political thriller with an insider's view, it'! s deadly earnest in its defense of truth, justice, and the American way, but writer-director (and former film critic) Rod Lurie resorts to the same manipulation that his film purports to condemn. But with political savvy, a timely idea (a female vice president), and a cast of first-rate actors, this high-office chess game is unabashedly entertaining. You can argue with Lurie's tactics, but you can't fault his patriotic passion.

In a role written especially for her, Joan Allen is outstanding (if a bit too saintly) as the Republican-turned-Democrat senator who is chosen by the president (Jeff Bridges) to fill a vice presidential vacancy. Bridges is a cagey chief executive, seemingly aloof as he gleefully challenges the White House's 24-hour kitchen staff but more than a match for the embittered and unscrupulous congressman (Gary Oldman) who plots to destroy Allen's character with seemingly dark secrets from her past.

As a gender-switching response to the Lewinsky scandal! , The Contender asks potent questions with its impassio! ned plea for integrity in public service. That makes this a film well worth defending, and the stellar cast (which includes Christian Slater and William Petersen) triumphs over most of the plot's hokey machinations. The ideas are more compelling than their execution, however, and although Lurie's climactic revelation is a vast improvement over the reckless cheat of his previous film Deterrence, it still threatens to tarnish the gloss of an otherwise fascinating film. --Jeff ShannonYES - DVD MovieIt's unsurprising that a movie written in rhyming verse would have stilted or self-conscious moments--but the sumptuous beauty, sinuous rhythms, and cinematic intricacies of Yes may astonish viewers who expect something stuffy or antiquarian. The plot is little more than an affair between an unnamed Irish-American biologist (Joan Allen, once the queen of repression in The Ice Storm, now becoming an art-house sexpot in this and Off the Map) and an unnamed Mi! ddle-Eastern chef (Simon Abkarian, Ararat), yet the movie explores just about everything: Marriage, religion, international politics, motherhood, and the nature of zero, while travelling from London to Belfast to Beirut to Havana. Writer/director Sally Potter (Orlando, The Tango Lesson) has enormous ambitions; Yes abounds with complex ideas and daring flourishes, both verbal and visual, juxtaposing the austere and the erotic, intellect and grief. If not everything succeeds, what doesn't is more than made up for by what does. Also featuring Sam Neill (The Piano, Jurassic Park) as Allen's aloof husband and Shirley Henderson (Topsy-Turvy) as a housecleaner with a philosophical perspective on dirt. --Bret FetzerIn 1795 Johann Wolfgang von Goethe produced his tale of tales-The fairytale of "The Green Snake and the Beautiful Lily," an extraordinary masterwork that is unique among Goethe's works. An initiatory fable of transf! ormation, the tale arose out of the Rosicrucian, alchemical im! pulses t hat play an important role in Faust and Goethe's other writings. Among those influenced by it was Rudolf Steiner, whose mystery dramas employ similar themes. The authors begin by placing the fairytale against the background of Goethe's life and cultural setting. They then discuss its importance in the development of Steiner's spiritual science. Finally, they describe its visual language, profound mystical insights, and relevance for us today. The book includes Carlyle's classic translation of the tale and illustrations, plus Steiner's essay on its inner meaning. The authors offer a positive look at the possibilities of the twenty-first century. They view Goethe's fairytale as fully relevant to our time, just as it was when Goethe first wrote it.OFF THE MAP - DVD MovieOff the Map avoids conventional drama (hardly any event leads to an outcome you could expect) but the lean, sharp dialogue and superb performances make this movie a rich, human comedy. A young gir! l named Bo, living in the New Mexico desert, rebels against her bohemian parents by reading Forbes magazine and applying for credit cards. Her father Charley (Sam Elliott, Tombstone) has sunk deep into a paralyzing depression; her resilient, industrious mother Arlene (Joan Allen, The Upside of Anger) alternates between gently supporting Charley and railing against his zombie-like state. Into this off-balance family comes a tax auditor (Jim True-Frost, Singles), who--after being stung by a bee and lapsing into a sudden fever--becomes an accidental catalyst for change. In her movie debut as Bo, Valentina de Angelis gives a wonderful performance, head and shoulders above most actors her age. Campbell Scott's direction, as with his first film Big Night, is warm but not sappy; he has a gift for letting a story wander without it ever getting lost. The New Mexico landscape glows in the sun and helps give Off the Map a quiet but mysterious visi! on of life. --Bret FetzerThe re-release of Jerry Aronso! n's biop ic, The Life and Times of Allen Ginsberg, timed to celebrate the fiftieth anniversary of "Howl," suits this wonderful documentary and proves Ginsberg central to all radical artistic and political movements of the past 60 years. The feature-length film, segmented by decade, provides ample footage of Ginsberg's life; but extras added into this package, including footage of his memorial and 35 interviews with artists inspired by the visionary poet--from Beck to Lawrence Ferlinghetti--solidify Ginsberg as an American cultural icon. The film unravels Ginsberg's obsession for life and death around his mother's nervous breakdown and his father's affinity for poetry. Interviews with Ginsberg from each decade, both amongst his Beat friends like Burroughs and Huncke, and later with talk show hosts William Buckley and Dick Cavett, show the author's progression from sexual politics in the '40s and '50s to the "politics of ecstasy" in the '60s and '70s, when he founded the Flower ! Power movement with Tim Leary, and later, Naropa Institute. Ample footage of Ginsberg's stepmother provides a sensitive outsider's opinion on how he blossomed into one of the most spontaneous minds of the century. The film transcends simple Ginsberg descriptions by framing his life with historical happenings to contextualize the author's words and actions. The Life and Times of Allen Ginsberg reminds the viewer that there is no better example of an artist devoted to a life of letters, activism, and idealism than the original beatnik. --Trinie DaltonHachiko: A Dog's Story reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm Japanese Style B mini poster print

Pop Culture Graphics, Inc is Amazon's largest source for movie and TV show memorabilia, posters and more: Offering tens of thousands of items to choose from. We also offer a full selection of framed posters..

Customer satisfaction is always guaranteed when you buy from Pop Culture Graphic! s,Inc

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Maria Sharapova Collection by Cole Haan Women's Air Bacara Ballet Flat Ballet Flat,Black Nappa,9 M US

• Nike Air cushioning reduces shock and distributes pressure as you walk

• This versatile ballet flat boasts a sweet round toe and unexpected laced detailing at the heel.
• From the Maria Sharapova collection.
• Leather, patent leather, suede or haircalf upper.
• Padded footbed.
• Cushioned with NIKE AIR® technology.
• Raised rubber pod sole for added comfort.
• Weight : 6 oz
• Product measurements were taken using size 6.5. Please note that measurements may vary by size.

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