Friday, November 18, 2011

Gone

  • ISBN13: 9780061448782
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed

In the blink of an eye.

Everyone disappears.

Gone.

Everyone except for the young. Teens. Middle schoolers. Toddlers. But not a single adult. No teachers, no cops, no doctors, no parents. Gone, too, are the phones, internet, and television. There is no way to get help.

Hunger threatens. Bullies rule. A sinister creature lurks. Animals are mutating. And the teens themselves are changing, developing new talentsâ€"unimaginable, dangerous, deadly powersâ€"that grow stronger by the day.

It's a terrifying new world. Sides are being chosen and war is imminent.

The first in a breathtaking saga about tee! ns battling each other and their darkest selves, gone is a page-turning thriller that will make you look at the world in a whole new way.


Brooklyn's Finest

  • BROOKLYN'S FINEST (DVD MOVIE)
Something of a genre homecoming, Antoine Fuqua's latest film once again finds him delving into the gritty, brutal realm of cops and crooksâ€"as he did in Training Day. Tango is an undercover officer on a narcotics detail that forces him to choose between duty and friendship. Having been to hell and back, he wants out, but the powers that be won't let him quit. Family-man Sal is a detective tempted by greed and corruption. He can barely make ends meet, and now his wife has an illness that threatens the life of their unborn twins. Eddie is nearing retirement age and has long since lost his dedication to his job as a cop. He wakes up every morning trying to come up with a reason to go on living...and he can't think of one. Fate brings the three men to the same Brooklyn housing project as each takes the law into his own hands. Crosscutting between multiple s! ubplots, Brooklyn's Finest unfolds violently and passionately as coiled, constantly roving cinematography contributes a measure of unease to the underworld action.Fans of the grit of HBO's The Wire, as well as of the mean-streets story intersection plot of Crash, will find a lot to like in the intense crime drama Brooklyn's Finest. Directed by Antoine Fuqua (Training Day) with a sure hand, Brooklyn's Finest follows three NYPD cops who come from very different places (geographically and personally) as their lives, and the compromises they have made daily to coexist with the mean streets of Brooklyn, dovetail to a climax that will have viewers on the edge of their seats. Fuqua has assembled a stellar cast here, including Richard Gere, a veteran cop just a week from retirement; the always amazing Don Cheadle, an undercover officer whose loyalties to the force may be compromised by his growing loyalties to the groups he's in! filtrating; and the film's true revelation, Ethan Hawke, a you! ng corru pt cop whose morals make the stomach turn, though Hawke's performance is nuanced and riveting. Supporting cast members include Wesley Snipes as a badass gangster whom even the police have second thoughts about messing with. Other great performances are turned in by Vincent D'Onofrio, whose wooden delivery works here to make his character all the more menacing; Lili Taylor; and a ravishing, world-weary Ellen Barkin. The action is propelled along by the great performances, the excellent cinematography, Fuqua's deft direction, and the moody score by Brazilian composer Marcelo Zarvos. If the plot is a little far-fetched, even for a crime drama, the stellar performances more than make up for it, making Brooklyn's Finest one of Fuqua's, and certainly Hawke's, finest.

Thursday, November 17, 2011

Edmond

  • A man (Macy) becomes involved in a twisted game of sex, lies and murder with 3 young women (Denise Richards, Mena Suvari, Julia Stiles). It s a first rate thriller from the legendary David Mamet. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R Age: 855280001700 UPC: 855280001700 Manufacturer No: FI0169DVD
A man (Macy) becomes involved in a twisted game of sex, lies and murder with 3 young women (Denise Richards, Mena Suvari, Julia Stiles). It’s a first rate thriller from the legendary David Mamet.William H. Macy, a longtime collaborator of David Mamet, takes on one of Mamet's biggest, ugliest creations in the title role of Edmond. Edmond drops out of his ordinary life after a chance encounter with a fortune-teller, and cruises through a New York inferno that leads to murder. It also leads to a great deal of the clipped, counter-punching dialogue that Mamet is famous for, al! though at times the film plays like a monologue interrupted by peripheral blips on Edmond's skewed radar. Mamet's subject is the frenzied reaction of the modern male to the narrowing of his domain, a crisis that drives Edmond to the familiar touchstones of bar, peep show, and whorehouse, none of which provide the solace he thinks they should. The 2005 film is based on Mamet's 1982 play, and somehow the picture might have had more pop if it had been filmed closer to that time, when panicked masculinity was a fresher subject. And the text is a kind of dark, horrific fable that probably worked better in the stylized realm of the stage than on film. Stuart Gordon directs with a blunt forward motion that foregrounds the most unsavory aspects of the material (fans of his Re-Animator should note the presence of Jeffrey Combs as a snotty hotel clerk). Except for Macy, cast members come and go in the episodic flow, some of them (Joe Mantegna and Rebecca Pidgeon) identified wi! th Mamet's work. Julia Stiles plays the unfortunate waitress w! ho falls into Edmond's path, and Bai Ling, Denise Richards, and Mena Suvari are women of the night who want to charge Edmond too much money. But it's Macy's show, and he mercilessly gets inside Edmond's bad self: a monster of entitlement and self-delusion, given to epiphanies that lead nowhere except his own ego. --Robert Horton

Grindhouse (Two-Disc Collector's Edition) [Blu-ray]

  • GRINDHOUSE SPECIAL BLU-RAY ED. (BLU-RAY DISC)
Together for the first time the Rodriguez/Tarantino Double Feature Grindhouse is back and better than ever! These rip-roaring and adrenaline-pumping films are now featured in the original theatrical exhibition format. Loaded with over 2 hours of bonus content, including the fan favorite Rodriguez's 10 Minute Cooking School this 2-disc Blu-Ray will deliver a new experience like never before!Loud, fast, and proudly out of control, Grindhouse is a tribute to the low-budget exploitation movies that lurked at drive-ins and inner city theaters in the '60s and early '70s. Writers/directors Quentin Tarantino (Kill Bill) and Robert Rodriguez (Sin City) cooked up this three-hour double feature as a way to pay homage to these films, and the end result manages to evoke the down-and-dirty vibe of the original films fo! r an audience that may be too young to remember them. Tarantino's Death Proof is the mellower of the two, relatively speaking; it's wordier (as to be expected) and rife with pulp/comic book posturing and eminently quotable dialogue. It also features a terrific lead performance by Kurt Russell as a homicidal stunt man whose weapon of choice is a souped-up car. Tarantino's affection for his own dialogue slows down the action at times, but he does provide showy roles for a host of likable actresses, including Rosario Dawson, Mary Elizabeth Winstead, Rose McGowan, Sydney Poitier, and newcomer Zoe Bell, who was Uma Thurman's stunt double in Kill Bill. Detractors may decry the rampant violence and latch onto a sexist undertone in Tarantino's feature, but for those viewers who grew up watching these types of films in either theaters or on VHS, such elements will be probably be more of a virtue than a detrimental factor. Rodriguez's Planet Terror is a rol! licking horror/sci-fi/action piece about a plague outbreak tha! t turns citizens into cannibalistic murderers; it's heavy on the gore and explosions but also features a terrific cast of A players (Freddy Rodriguez, Naveen Andrews, Marley Shelton) and B-movie vets (Michael Biehn, Jeff Fahey, Tom Savini) and the indelible image of Rose McGowan as a stripper whose torn-off leg is replaced by a high-powered machine gun.- Paul Gaita

Emma (2009 BBC Version)

  •  Beautiful, clever, and rich Emma Woodhouse is convinced she is good at matchmaking after her older sister and her governess both marry suitable husbands. No matter that as Mr Knightley drily observes, in reality, she had nothing to do with these relationships. Yet Emma, certain of her talents, plays a dangerous game as she persuades her new friend, the young, pretty and socially inferior Har
Beautiful, clever, and rich Emma Woodhouse is convinced she is good at matchmaking after her older sister and her governess both marry suitable husbands. No matter that as Mr Knightley drily observes, in reality, she had nothing to do with these relationships. Yet Emma, certain of her talents, plays a dangerous game as she persuades her new friend, the young, pretty and socially inferior Harriet to reject an advantageous marriage proposal to a local farmer in favour of dashing Mr Elton. So begins a stor! y which challenges Emma's naivety, her social preconceptions and her relationship with Knightley. Fresh and funny, this perceptive adaptation, featuring a stellar cast, brings Jane Austen's comic masterpiece to life.Although Jane Austen's Emma has been adapted for the screen many times before, including for an American version starring Gwyneth Paltrow, this four-part miniseries is the version to begin with. The story of Miss Woodhouse, a matchmaker and meddler whose wit and misdirection need to be carefully acted to match the novel's complex character, is perfectly expressed through Romola Garai's portrayal. Throughout the retelling of this comedic romantic drama, Garai not only conveys Emma's strong-willed sensibility but also manages to update Emma for modern audiences without relinquishing the traditional manners and tastes that Austen fans love in her 1815 historical tale. Each episode, here, opens with a seasonal shot of Hartfield, the estate Emma rules w! hile caring for her loyal and kind but protective father (Mich! ael Gamb on). Having lost her mother early, Emma feels a bond with two other unfortunate children in Highbury, Frank Churchill (Rupert Evans) and Jane Fairfax (Laura Pyper), whom Emma befriends as they return home from boarding schools abroad.

The dramas that ensue revolve around Emma's attempts to pair lovers, with varied degrees of success. Episode One establishes Emma's curious desire to marry everyone off except herself. John Knightley (Johnny Lee Miller), Emma's childhood friend, is constantly by her side, coaching, supporting, and chiding her as she matures into an intelligent, regal young lady. Miller's ability to portray Knightley as the respectable, patient man he is throughout the series also lends this Emma incredible strength. In Episode Two, after Emma's beloved governess, Anne Taylor (Jodhi May), moves out to marry, Emma bonds with new girlfriend Harriet Smith (Louise Dylan), and from here we begin to see some of Emma's plans backfiring. Part of this series'! genius is in how it manages, in keeping with Austen's book, to express deeper love developing between Emma and her true mate while Highbury's daily gossip continues. Though in Episodes Three and Four one weathers some minor emotional upheaval with aging parents, losses of wealth, and illnesses, this story is not tragic and most side plots point toward Emma's final love realization, which does not arrive until the last 20 minutes of the last episode. Settings and costumes enhance the story greatly, and views of the village farmers' market contrast with lavish balls and dinner parties hosted by the Woodhouse family and others to underscore Austen's original emphasis on capturing the preoccupations of upper-class British society in her day. Some scenes, as in Episode One when Knightley and Emma squabble for much too long over whom Harriet should marry, drag on, allowing one to marvel at how much free time these people had to worry about other business besides their own. Still! , the romance in Emma is quite powerful and humor throu! ghout ma kes this series ultimately enchanting. --Trinie Dalton

Rocky & Bullwinkle & Friends: Complete Season 1

  • ROCKY AND BULLWINKLE & FRIENDS-SEASON 1 (DVD MOVIE)
Watch out American television viewers! Rocky and Bullwinkle do battle against Boris Badenov's band of TV antennae-eating rodents. Full color.Bullwinkle J. Moose has the world's largest collection of box tops, which makes him the prime suspect when someone starts redeeming counterfeit box tops for goodies in the stores.ADVENTURES OF ROCKY AND BULLWINKLE - DVD MovieThe problem with live-action movies based on beloved cartoon characters is that humans are never as flexible, as unpredictable, or just plain as goofy as their animated counterparts. So it is with this blend of animation and live action. Rocky and Bullwinkle remain animated characters (trapped in our reality), while Boris and Natasha (Jason Alexander and Rene Russo), along with their boss, Fearless Leader (Robert De Niro), are transformed from cartoons to human reproductions when! they escape from rerun land. They've come to our world to take it over; the FBI springs Rocky and Bullwinkle from the second dimension to stop them. But the writing in Kenneth Lonergan's script lacks the throw-away flair of the jokes that characterized Jay Ward's much-beloved animated series of the late 1950s and early 1960s. Part of the problem is that Russo, Alexander, and De Niro are so obviously working at acting cartoonish, instead of simply being cartoons. And part is that the script rarely comes up with the kind of wonderful wordplay in which Ward specialized. The moose, as usual, gets all the best lines, but they're too few and far between to salvage this underachieving summer film. --Marshall FineMost of the tape is devoted to the misadventures of that sterling hero, Dudley Do-Right of the RCMP. In one cartoon, Dudley, Snidely Whiplash, Nell, and Inspector Fenwick succumb to the show-biz bug and form a vaudeville act. Even funnier is Snidely confessing ! to having "a thing" about tying ladies to railroad tracks. He! 's ready to give himself up, but Nell defends him in a courtroom performance that Portia might envy. Rounding out the program is a visit to the first Mountie by Sherman and Mr. Peabody, Aesop and Son's retelling of "The Hound and the Wolf," and the Fractured Fairy Tale of "The Frog Prince." Rocky and Bullwinkle make only cameo appearances in this collection that includes Mr. Know-It-All explaining how to be a stuntman--er, moose. Also, Bullwinkle enacts "Simple Simon" with Boris as the pie man, but the nursery rhyme quickly degenerates into a variation on Abbot and Costello's "Who's on First" routine. The Jay Ward cartoons are always fun to watch, but at 39 minutes, this tape seems a bit brief. Fans who watch credits may not realize that executive producer "Ponsonby Britt" never existed: Ward and Bill Scott needed one at some point, so they made him up. --Charles SolomonIn order to steal a priceless collection of art masterpieces from a Paris museum, archvillain! s Boris and Natasha fold the unframed paintings up, put them in a small package, and mail them to a certain moose in Frostbite Falls, Minnesota--figuring that only Bullwinkle would be stupid enough to sell them the paintings back. Ah, the classic world of Jay Ward animation! The compilation Painting Theft demonstrates what makes Rocky & Bullwinkle unique among cartoons: their elaborate, episodic storytelling. Warner Bros. and Hanna-Barbera cartoons relied almost exclusively on single situations and freewheeling slapstick, but Rocky & Bullwinkle stories stretched on and on, with snaky, absurd twists. Not only did this allow the animators to come up with a wide variety of jokes and puns (terrible, terrible puns), but it also let them delight in the sheer joys of storytelling--how rapidly and deliriously they could gallop from one silly circumstance to the next. Even the shorter cartoons (Dudley Do-Right, Peabody's Improbable History, and Fractured Fairy Tales) are pack! ed with wild reversals and ridiculous turns. Plus, they used s! ome supe rb voice talent (including Edward Everett Horton, a great character actor best known for supporting roles in Fred Astaire and Ginger Rogers musicals), and had an eye for sneaky satire of the adult world--as can be seen when Bullwinkle's whitewashed canvases spark an insane bidding war in the art world. Rocky & Bullwinkle are a consistent pleasure. --Bret FetzerNow here's something you don't see everyday, Chauncey. It's the complete first season of one of television's smartest, savviest, and most subversively funny animated series, ranked by TV Guide as one of the top 50 series of all time. Like the animators at Warner Bros.' Termite Terrace (birthplace of Porky, Daffy, and Bugs), producer Jay Ward, his partner Bill Scott (the voice of Bullwinkle), and the cracked writing staff did not write down to children. The dialogue is witty and sharply satiric. Characters break the "fourth wall" between the screen and the audience. They make sly references to the show's ! creators and the television network. They hurl barbs of mass destruction at Washington, D.C. politicians. And then there are the godawful puns. This four-disc set contains the series' first two serial adventures. "Jet Fuel Formula" is a cold war-era blast, as Rocky (voiced by June Foray, the Queen of Cartoons) and Bullwinkle frantically race to re-create a rocket fuel recipe (actually Grandma Bullwinkle's recipe for mooseberry fudge cake), while being menaced by those no-goodniks Boris Badenov and femme fatale Natasha. "Box Top Robbery" reveals that the basis for the world's economy is not gold and silver, but cereal box tops.

Linking these cliffhanging episodes are such hilarious segments as "Fractured Fairy Tales," which upend familiar storybook favorites (Red Riding Hood, for example, is a predatory fur merchant after the unwitting wolf), "Mr. Peabody," the canine genius who travels through time in the company of his boy, Sherman, and forthright Dudley Do-Right of ! the Mounties, who must contend with his own horse for the affe! ctions o f sweet Nell. Bullwinkle gets extra credits as Mr. Know-It-All and as the host of Poetry Corner. And watch him pull a rabbit out of his hat! These cartoons are as fresh and funny as when they first aired more than four decades ago. Boomer-era adults will be amazed at the jokes that no doubt soared over their heads as children. --Donald Liebenson

Wednesday, November 16, 2011

ASUS PCI-Express x1 7.1 Channel Sound Card XONAR_DX/XD/A/90-YAA060-1UAN00Z

  • Output Signal-to-Noise Ratio (A-Weighted): 116dB for front-out, 112dB for other channels dB;
  • Input Signal-to-Noise Ratio (A-Weighted): 112 dB; Output THD+N at 1kHz: 0.00056% (-105dB) for Front-out
  • Input THD+N at 1kHz: 0.0004% (-108dB) for Line-in;
  • Frequency Response (-3dB, 24-bit/96kHz input): <10Hz to 48KHz; Output/Input Full-Scale Voltage: 2 Vrms (5.65 Vp-p)
  • Audio Processor: ASUS AV100 High-Definition Sound Processor (Max. 192KHz/24bit);
  • 24-bit D-A Converter of Digital Sources: 1x Cirrus-Logic CS4398 for Front-Out(120dB SNR, Max.192kHz/24bit), 1x Cirrus-Logic;
  • CD-ROM drive (or DVD-ROM drive) for software installation; High-quality headphones, powered analog speakers,
  • CS4362A for other 6 channels; 24-bit A-D Converter for Analog Inputs: 1x Cirrus-Logic CS5361 (114dB SNR, Max. 192kHz/24bit);
  • Microsoft Windows Vista(32/64bit)/XP(32/64bit)/! MCE2005; Intel Pentium 4 1.4GHz or AMD Athlon 1400 CPU or faster CPU
  • One PCI Express 1.0 (or higher) compatible slot for the audio card; One available 4-pin power cable from PC?s power supply unit;
They all live in Los Angeles. And in the next 36 hours, they will collide.Movie studios, by and large, avoid controversial subjects like race the way you might avoid a hive of angry bees. So it's remarkable that Crash even got made; that it's a rich, intelligent, and moving exploration of the interlocking lives of a dozen Los Angeles residents--black, white, latino, Asian, and Persian--is downright amazing. A politically nervous district attorney (Brendan Fraser) and his high-strung wife (Sandra Bullock, biting into a welcome change of pace from Miss Congeniality) get car-jacked by an oddly sociological pair of young black men (Larenz Tate and Chris "Ludacris" Bridges); a rich black T.V. director (Terrence Howard) and his wife (Thandie Newton) get p! ulled over by a white racist cop (Matt Dillon) and his relucta! nt partn er (Ryan Phillipe); a detective (Don Cheadle) and his Latina partner and lover (Jennifer Esposito) investigate a white cop who shot a black cop--these are only three of the interlocking stories that reach up and down class lines. Writer/director Paul Haggis (who wrote the screenplay for Million Dollar Baby) spins every character in unpredictable directions, refusing to let anyone sink into a stereotype. The cast--ranging from the famous names above to lesser-known but just as capable actors like Michael Pena (Buffalo Soldiers) and Loretta Devine (Woman Thou Art Loosed)--meets the strong script head-on, delivering galvanizing performances in short vignettes, brief glimpses that build with gut-wrenching force. This sort of multi-character mosaic is hard to pull off; Crash rivals such classics as Nashville and Short Cuts. A knockout. --Bret Fetzer

Stills from Crash (click for larger image)







In the recent past, the cries of stock market crash 2005 were not yet smoothen after the revival of stock market to some extent that the situation! was again worsen and the market was again pulled down to such! an exte nt that daily traders were left with nothing except bankruptcy. In order to meet with such type of alarming situation, this book demonstrates the manners and methods under which a stock market crash occurs especially with reference to Pakistan. A deep insight in the capitalization set up of the major companies is brought forward so that anyone who intends to enter the business should be aware of these realities which are prevailing in the different scrips. The study would be helpful for the business class as well as the executive class or anyone else for the purpose of gaining profits and avoiding monetary losses while conducting trade in the stock market or somewhere else. It may be helpful for researchers in advance studies as having a foundation in it.Asus Xonar DX PCI-Express x1 7.1 Channel Sound Card,One PCI Express 1.0 (or higher) compatible slot for the audio card , One available 4-pin power cable from PC s power supply unit , Microsoft Windows Vista(32 or 64bit) o! r XP(32 or 64bit) or MCE2005 , Intel Pentium 4 1.4GHz or AMD Athlon 1400 CPU or faster CPU,CS4362A for other 6 channels , 24-bit A-D Converter for Analog Inputs , 1x Cirrus-Logic CS5361 (114dB SNR, Max. 192kHz/24bit) .

The Exterminating Angels

  • EXTERMINATING ANGELS (DVD MOVIE)
From the director who scandalized France with SECRET THINGS, comes THE EXTERMINATING ANGELS, a film that will shock you, make you think and turn you on. Francois is a filmmaker holding auditions for his upcoming film about female pleasure. He expects the process to be unconventional but cannot predict the danger that so much arousal can cause. As his female cast embarks on a journey of intense physical pleasure-seeking they become emotionally involved with the director and each other. This film brings new meaning to the warning to never mix business with pleasure.

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