- Played by emerging Chinese superstar Zhang Ziyi as a young Chinese woman in love with Itami (Toru Nakamura), a Japanese man about to be sent home for military service. Devastated, she moves back to Shanghai only to witness the death of her elder brother during an attack by the Japanese extreme right then, changes her name to Ding Hui and joins a secret resistance group code-named Purple Butterfly.
Genre: Foreign Film - Chinese
Rating: G
Release Date: 27-NOV-2001
Media Type: DVDAt the start of the most recent film from Chinese director Zhang Yimou (Raise the Red Lantern, Ju Dou, Shanghai Triad), a young man returns to his native village after the death of his father, the village's schoolteacher, who died while trying to raise money for a new schoolhouse. His body is in a neighboring town; the young man's mother insists that it be brought back on foot, lest his spirit not find his way home. From this starting point, the young man recounts the tale of his parents' courtship, which involved a red banner, mushroom dumplings, a colorful barrette, and a broken bowl. The Road Home is beautifully filmed, particularly the luminous face of Zhang Ziyi (from Crouching Tiger, Hidden Dragon), whose performance is a heartrending portrait of hope and yearning. ! A simple but deeply emotional film. --Bret FetzerCynthia is a young Chinese woman in love with Itami, a Japanese man about to be sent home for military service. A devastated Cynthia moves back to Shanghai only to witness the death of her elder brother during an attack by the Japanese extreme right. She changes her name and joins a secret resistance group code named Purple Butterfly the same group that years later will plot to assassinate ItamiZhang Ziyi looks as beautiful as ever in Purple Butterfly, a film that takes her out of the martial-arts world of Hero and House of Flying Daggers. She plays a member of Purple Butterfly, an underground resistance group fighting against the Japanese aggression in early-1930s China. The movie's central dilemma comes when her ex-lover, a Japanese agent (Toru Nakamura), returns to Shanghai and is earmarked for assassination by Purple Butterfly. This compelling-sounding set-up is frustratingly unfulfilled, as ! director Ye Lou (Shuzou River) opts for an opaque brand! of stor ytelling, in which chronology is jumbled and drama short-circuited. The film looks gorgeous, but it is close to impossible to understand what is going on at any given moment. If handsome images and dreamlike editing are enough, the movie might work for a very select group of patient viewers and Zhang Ziyi fanatics. --Robert Horton
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